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The Project Gutenberg eBook, The Poor Gentleman, by Hendrik Conscience This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: The Poor Gentleman Author: Hendrik Conscience Release Date: October 2, 2004 [eBook #13576] Language: English Character set encoding: ISO-646-US (US-ASCII) ***START OF THE PROJECT GUTENBERG EBOOK THE POOR GENTLEMAN*** E-text prepared by Audrey Longhurst, Josephine Paolucci, and the Project Gutenberg Online Distributed Proofreading Team THE POOR GENTLEMAN. by HENDRIK CONSCIENCE Author of _The Curse of the Village_, _The Happiness of Being Rich_, _Veva_, _The Lion of Flanders_, _Count Hugo of Craenhove_, _Wooden Clara_, _Ricketicketack_, _The Demon of Gold_, _The Village Inn-Keeper_, _The Conscript_, _Blind Rosa_, _The Amulet_, _The Miser_, _The Fisherman's Daughter_, etc. Translated Expressly for this Edition. Preface to the American Edition. The story of "THE POOR GENTLEMAN," now given in our language for the first time, is one of the series in which M. Conscience has delineated various grades of female character in positions of trial. In "The Village Innkeeper" he has shown the weaker traits of woman distracted between an inborn sense of propriety and a foolish ambition for high, life. In the "Conscript" his heroine displays the nobler virtues of uncorrupted humble life; and, with few characters, taken from the lowest walks, he shows the triumph of honest, straightforward earnestness and pertinacious courage, even when they are brought in conflict with authority. "The Poor Gentleman" closes the series; and, selecting a heroine from the educated classes of his country-people M. Conscience has demonstrated how superior a _genuine woman_ becomes to all the mishaps of fortune, and how successfully she subdues that imaginary _fate_ before which so many are seen to fall. It would be difficult to describe this remarkable work without analyzing the tale and criticizing its personages. This would anticipate the author and mar the interest of his story. We must confine ourselves, therefore, to general remarks on its structure and characteristics. _Pontmartin_, the distinguished French _feuilletonist_, says, in one of his "Literary Chats,"
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