, as the trios
are to be heard for the first time (in society), and you can play them
afterwards; but I leave it all to your own option. If you meet with any
difficulties, one of which may possibly be that Kraft and S. [Schuppanzigh]
do not harmonize well together, then Herr v. Zmeskall must distinguish
himself, not as a mere musical Count, but as an energetic musician.
Your friend,
BEETHOVEN.
[Footnote 1: Kraft and Schuppanzigh were then each giving quartet
_soirees_.]
59.
TO FREIHERR V. HAMMER-PURGSTALL.[1]
1809.
I feel almost ashamed of your complaisance and kindness in permitting me to
see the MS. of your as yet unknown literary treasures. Pray receive my
sincere thanks. I also beg to return both your operettas. Wholly engrossed
by my professional avocations, it is impossible for me to give an opinion,
especially with regard to the Indian Operetta; as soon as time permits, I
will call on you for the purpose of discussing this subject, and also the
Oratorio of "The Deluge." Pray always include me among the warm admirers of
your great talents.
I am, sir, with sincere esteem, your obedient
BEETHOVEN.
[Footnote 1: I see in Schindler's _Beethoven_, that he wished to have "an
Indian Chorus of a religious character" from this renowned Orientalist,
who, in sending his _Persian Operetta_, written "rather with an ideal than
a musical object," and likewise an oratorio, _The Deluge_,
remarks:--"Should you not find these works in all respects executed quite
to your taste, still I feel convinced that through the genius of a
Beethoven alone can music portray the rising of the great flood and the
pacifying of the surging waters."]
60.
TO FREIHERR V. HAMMER-PURGSTALL.[1]
1809.
Forgive me, my dear H----, for not having brought you the letter for Paris.
I have been, and still am, so much occupied, that day after day I am
obliged to delay writing it, but you shall have it to-morrow, even if I am
unable to come myself to see you, which I am most anxious to do.
There is another matter that I would most earnestly press on you; perhaps
you might succeed in doing something for a _poor unfortunate man_. I allude
to Herr Stoll, son of the celebrated physician. With many persons the
question is whether a man has been ruined by his own fault or by that of
others, but this is not so with either you or me; it is sufficient that
Stoll is unfortunate, and looks on a journey to Paris as his sole resource,
hav
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