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, as the trios are to be heard for the first time (in society), and you can play them afterwards; but I leave it all to your own option. If you meet with any difficulties, one of which may possibly be that Kraft and S. [Schuppanzigh] do not harmonize well together, then Herr v. Zmeskall must distinguish himself, not as a mere musical Count, but as an energetic musician. Your friend, BEETHOVEN. [Footnote 1: Kraft and Schuppanzigh were then each giving quartet _soirees_.] 59. TO FREIHERR V. HAMMER-PURGSTALL.[1] 1809. I feel almost ashamed of your complaisance and kindness in permitting me to see the MS. of your as yet unknown literary treasures. Pray receive my sincere thanks. I also beg to return both your operettas. Wholly engrossed by my professional avocations, it is impossible for me to give an opinion, especially with regard to the Indian Operetta; as soon as time permits, I will call on you for the purpose of discussing this subject, and also the Oratorio of "The Deluge." Pray always include me among the warm admirers of your great talents. I am, sir, with sincere esteem, your obedient BEETHOVEN. [Footnote 1: I see in Schindler's _Beethoven_, that he wished to have "an Indian Chorus of a religious character" from this renowned Orientalist, who, in sending his _Persian Operetta_, written "rather with an ideal than a musical object," and likewise an oratorio, _The Deluge_, remarks:--"Should you not find these works in all respects executed quite to your taste, still I feel convinced that through the genius of a Beethoven alone can music portray the rising of the great flood and the pacifying of the surging waters."] 60. TO FREIHERR V. HAMMER-PURGSTALL.[1] 1809. Forgive me, my dear H----, for not having brought you the letter for Paris. I have been, and still am, so much occupied, that day after day I am obliged to delay writing it, but you shall have it to-morrow, even if I am unable to come myself to see you, which I am most anxious to do. There is another matter that I would most earnestly press on you; perhaps you might succeed in doing something for a _poor unfortunate man_. I allude to Herr Stoll, son of the celebrated physician. With many persons the question is whether a man has been ruined by his own fault or by that of others, but this is not so with either you or me; it is sufficient that Stoll is unfortunate, and looks on a journey to Paris as his sole resource, hav
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