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The Project Gutenberg EBook of Beethoven's Letters 1790-1826, Vol. 1 of 2 by Lady Wallace This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: Beethoven's Letters 1790-1826, Volume 1 of 2 Author: Lady Wallace Release Date: July 31, 2004 [EBook #13065] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK BEETHOVEN'S LETTERS 1790-1826 *** Produced by Juliet Sutherland, John Williams and the Online Distributed Proofreading Team. BEETHOVEN'S LETTERS. (1790-1826.) FROM THE COLLECTION OF DR. LUDWIG NOHL. ALSO HIS LETTERS TO THE ARCHDUKE RUDOLPH, CARDINAL-ARCHBISHOP OF OLMUeTZ, K.W., FROM THE COLLECTION OF DR. LUDWIG RITTER VON KOeCHEL. TRANSLATED BY LADY WALLACE. _WITH A PORTRAIT AND FAC-SIMILE._ IN TWO VOLUMES. VOL. I. BOSTON: OLIVER DITSON & CO., 277 WASHINGTON STREET. NEW YORK: C.H. DITSON & CO. TRANSLATOR'S PREFACE. Since undertaking the translation of Dr. Ludwig Nohl's valuable edition of "Beethoven's Letters," an additional collection has been published by Dr. Ludwig Ritter von Koechel, consisting of many interesting letters addressed by Beethoven to his illustrious pupil, H.R.H. the Archduke Rudolph, Cardinal-Archbishop of Olmuetz. These I have inserted in chronological order, and marked with the letter K., in order to distinguish them from the correspondence edited by Dr. Nohl. I have only omitted a few brief notes, consisting merely of apologies for non-attendance on the Archduke. The artistic value of these newly discovered treasures will no doubt be as highly appreciated in this country as in the great _maestro's_ Father-land. I must also express my gratitude to Dr. Th.G. v. Karajan, for permitting an engraving to be made expressly for this work, from an original Beethoven portrait in his possession, now for the first time given to the public. The grand and thoughtful countenance forms a fitting introduction to letters so truly depicting the brilliant, fitful genius of the sublime master, as well as the touching sadness and gloom pervading his life, which his devotion to Art alone brightened, through many bitter trials and harassing cares. The love of Beethoven's music is now bec
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