e, but keeping always in our hearts the secrets of Audela and the
secret of our manner of returning thither. Sometimes, too, for the
sport's sake, we imprison in earthen figures a spark of the true life of
Audela: and then you little persons, that have no authentic life, but
only the flickering of a vexed shadow to sustain you in brief
fretfulness, say it is very pretty; and you negligently applaud us as
the most trivial of men and women."
"No; we applaud you as the most beautiful," says Manuel.
"Come now, Count Manuel, and do you have done with your silly
flatterings, which will never wheedle anything out of me! So you have
trapped Queen Freydis in mortal flesh. Therefore I must abide in the
body of a human woman, and be subject to your whims, and to your
beautiful big muscles, you think, until I lend a spark of Audela's true
life to your ridiculous images. But I will show you better, for I will
never give in to you nor to any man breathing."
In silence Count Manuel regarded the delightful shaping and the clear
burning colors of this woman's face. He said, as if in sadness: "The
images no longer matter. It is better to leave them as they are."
"That is very foolish talk," Queen Freydis answered, promptly, "for they
need my aid if ever any images did. Not that, however, I intend to touch
them."
"Indeed, I forbid you to touch them, fair enemy. For were the images
made as animated and lively as I wish them to be, I would be looking at
them always, and not caring for any woman: and no woman anywhere would
have the power to move me as your beauty moves me now, and I would not
be valuing you the worth of an old onion."
"That is not the truth," says Freydis, angrily, "for the man who is
satisfied with the figure he has made is as great a fool about women as
any other man. And who are you to be forbidding me anything?"
"I would have you remember," said Manuel, very masterfully, "that they
are my images, to do with as I wish. Also I would have you remember
that, whatever you may pretend to be in Audela, here I am stronger than
you."
Now the proud woman laughed. Defiantly she touched the nearest image,
with formal ancient gestures, and you could see the black stone Schamir
taking on the colors of an opal. Under her touch the clay image which
had the look of Alianora shivered, and drew sobbing breath. The image
rose, a living creature that was far more beautiful than human kind, and
it regarded Manuel scornfully.
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