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arious and Slavish Instincts); its romantic side Sexual differences in sensitivity; in character; apathy in highly-bred animals Siberia, change of population in Slavishness (_see_ Gregarious and Slavish Instincts) Smith, B. Woodd; curious Number-Form communicated by Smythe, G.F. Snakes, horror of some persons at; antipathy to, not common among mankind Socrates and his catalepsy Solitude Sound, association of colour with Space and time Spain, the races in Speke, Capt. Spencer, H., blended outlines Spiritual sense, the Stars of great men Statistical methods; statistical constancy; that of republics of self-reliant men; statistics of mental imagery; pictorial statistics Stature of the English Steinitz, Mr. Stones, Miss Stow, Mr. Suna, his menagerie Talbot Fox Talmud, frequency of the different numerals in Tameness, learned when young; tame cattle preserved to breed from Tastes, changes in Terror at snakes; at blood; is easily taught Test objects, weights, etc. Time and space Town and country population Trousseau, Dr. Turner, the painter Twins, the history of Typical centre Tyranny Ulloa Unclean, the, and the clean Unconcsciousness of peculiarities; in visionaries Variety of human nature Visionaries; visionary families and races Watches, magnetised Welch, Mrs. Kempe West Indies, change, of population in Wheel and barrel Whistles for audibility of shrill notes Wildness taught young Wilkes, Capt. Winchester College Wollaston, Dr. Wolves, children suckled by Women, relative sensitivity of; coyness and caprice; visualising faculty Woodfield, Mr. (Australia) Words, visualised pictures associated with Workers, solitary Young, Dr. Yule, Colonel Zebras, hard to tame Zoological Gardens, whistles tried at; snakes fed; seal at Zukertort, Mr. ***END OF THE PROJECT GUTENBERG EBOOK INQUIRIES INTO HUMAN FACULTY AND ITS DEVELOPMENT*** ******* This file should be named 11562.txt or 11562.zip ******* This and all associated files of various formats will be found in: http://www.gutenberg.net/1/1/5/6/11562 Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright ro
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