also played their part in this festival; the brave warrior
exhibited on this day the equipments of the antagonist whom he had
slain, and was decorated with a chaplet by the grateful community
just as was the victor in the competition.

Such was the nature of the Roman festival of victory or city-festival;
and the other public festivities of Rome may be conceived to
have been of a similar character, although less ample in point of
resources. At the celebration of a public funeral dancers regularly
bore a part, and along with them, if there was to be any further
exhibition, horse-racers; in that case the burgesses were specially
invited beforehand to the funeral by the public crier.

But this city-festival, so intimately bound up with the manners
and exercises of the Romans, coincides in all essentials with the
Hellenic national festivals: more especially in the fundamental
idea of combining a religious solemnity and a competition in warlike
sports; in the selection of the several exercises, which at the
Olympic festival, according to Pindar's testimony, consisted from
the first in running, wrestling, boxing, chariot-racing, and throwing
the spear and stone; in the nature of the prize of victory, which
in Rome as well as in the Greek national festivals was a chaplet,
and in the one case as well as in the other was assigned not to the
charioteer, but to the owner of the team; and lastly in introducing
the feats and rewards of general patriotism in connection with
the general national festival. This agreement cannot have been
accidental, but must have been either a remnant of the primitive
connection between the peoples, or a result of the earliest
international intercourse; and the probabilities preponderate in
favour of the latter hypothesis. The city-festival, in the form
in which we are acquainted with it, was not one of the oldest
institutions of Rome, for the Circus itself was only laid out in the
later regal period;(12) and just as the reform of the constitution
then took place under Greek influence,(13) the city-festival may
have been at the same time so far transformed as to combine Greek
races with, and eventually to a certain extent to substitute them
for, an older mode of amusement--the "leap" (-triumpus-,(14)), and
possibly swinging, which was a primitive Italian custom and long
continued in use at the festival on the Alban mount. Moreover,
while there is some trace of the use of the war-chariot in actual