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rtion destroy; your very death, as the being who called it into life, only stamps it with a holier value." "And so then," said Clarence, "you would seriously relinquish, for the mute copy of the mere features, those affections which no painting can express?" "Ay," said the painter, with an energy unusual to his quiet manner, and slightly wandering in his answer from Clarence's remark, "ay, one serves not two mistresses: mine is the glory of my art. Oh! what are the cold shapes of this tame earth, where the footsteps of the gods have vanished, and left no trace, the blemished forms, the debased brows, and the jarring features, to the glorious and gorgeous images which I can conjure up at my will? Away with human beauties, to him whose nights are haunted with the forms of angels and wanderers from the stars, the spirits of all things lovely and exalted in the universe: the universe as it was; when to fountain, and stream, and hill, and to every tree which the summer clothed, was allotted the vigil of a Nymph! when through glade, and by waterfall, at glossy noontide, or under the silver stars, the forms of Godhead and Spirit were seen to walk; when the sculptor modelled his mighty work from the beauty and strength of Heaven, and the poet lay in the shade to dream of the Naiad and the Faun, and the Olympian dwellers whom he walked in rapture to behold; and the painter, not as now, shaping from shadow and in solitude the dim glories of his heart, caught at once his inspiration from the glow of earth and its living wanderers, and, lo, the canvas breathed! Oh! what are the dull realities and the abortive offspring of this altered and humbled world--the world of meaner and dwarfish men--to him whose realms are peopled with visions like these?" And the artist, whose ardour, long excited and pent within, had at last thus audibly, and to Clarence's astonishment, burst forth, paused, as if to recall himself from his wandering enthusiasm. Such moments of excitement were indeed rare with him, except when utterly alone, and even then, were almost invariably followed by that depression of spirit by which all over-wrought susceptibility is succeeded. A change came over his face, like that of a cloud when the sunbeam which gilded leaves it; and, with a slight sigh and a subdued tone, he resumed,-- "So, my friend, you see what our art can do even for the humblest professor, when I, a poor, friendless, patronless artist, can thus
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