house was affected. Foker, for his part, taking out a large
yellow bandanna, wept piteously. As for Pen, he was gone too far for
that. He followed the woman about and about--when she was off the stage,
it and the house were blank; the lights and the red officers, reeled
wildly before his sight. He watched her at the side-scene--where she
stood waiting to come on the stage, and where her father took off her
shawl: when the reconciliation arrived, and she flung herself down on
Mr. Bingley's shoulders, whilst the children clung to their knees, and
the Countess (Mrs. Bingley) and Baron Steinforth (performed with great
liveliness and spirit by Garbetts)--while the rest of the characters
formed a group round them, Pen's hot eyes only saw Fotheringay,
Fotheringay. The curtain fell upon him like a pall. He did not hear a
word of what Bingley said, who came forward to announce the play for
the next evening, and who took the tumultuous applause, as usual, for
himself. Pen was not even distinctly aware that the house was calling
for Miss Fotheringay, nor did the manager seem to comprehend that
anybody else but himself had caused the success of the play. At last
he understood it--stepped back with a grin, and presently appeared with
Mrs. Haller on his arm. How beautiful she looked! Her hair had fallen
down, the officers threw her flowers. She clutched them to her heart.
She put back her hair, and smiled all round. Her eyes met Pen's. Down
went the curtain again: and she was gone. Not one note could he hear
of the overture which the brass band of the dragoons blew by kind
permission of Colonel Swallowtail.

"She is a crusher, ain't she now!" Mr. Foker asked of his companion.

Pen did not know exactly what Foker said, and answered vaguely. He could
not tell the other what he felt; he could not have spoken, just then, to
any mortal. Besides, Pendennis did not quite know what he felt yet; it
was something overwhelming, maddening, delicious; a fever of wild joy
and undefined longing.

And now Rowkins and Miss Thackthwaite came on to dance the favourite
double hornpipe, and Foker abandoned himself to the delights of this
ballet, just as he had to the tears of the tragedy, a few minutes
before. Pen did not care for it, or indeed think about the dance, except
to remember that that woman was acting with her in the scene where she
first came in. It was a mist before his eyes. At the end of the dance he
looked at his watch and said it was