FREE BOOKS

Author's List




PREV.   NEXT  
|<   441   442   443   444   445   446   447   448   449   450   451   452   453   454   455   456   457   458   459   460   461   462   463   464   465  
466   467   468   469   470   471   472   473   474   475   476   477   478   479   480   481   482   483   484   485   486   487   488   489   490   >>   >|  
ve the stuff in me to write an epic, by Jove I will try If I only feel that I am good enough to crack a joke or tell a story, I will do that." "Not a bad speech, young one," Warrington said, "but that does not prevent all poets from being humbugs." "What--Homer, Aeschylus, Shakspeare and all?" "Their names are not to be breathed in the same sense with you pigmies," Mr. Warrington said: "there are men and men, sir." "Well, Shakspeare was a man who wrote for money, just as you and I do," Pen answered, at which Warrington confounded his impudence, and resumed his pipe and his manuscript. There was not the slightest doubt then that this document contained a great deal of Pen's personal experiences, and that 'Leaves from the Life-book of Walter Lorraine' would never have been written but for Arthur Pendennis's own private griefs, passions, and follies. As we have become acquainted with these in the first volume of his biography, it will not be necessary to make large extracts from the novel of 'Walter Lorraine,' in which the young gentleman had depicted such of them as he thought were likely to interest the reader, or were suitable for the purpose of his story. Now, though he had kept it in his box for nearly half of the period during which, according to the Horatian maxim, a work of art ought to lie ripening (a maxim, the truth of which may, by the way, be questioned altogether), Mr. Pen had not buried his novel for this time, in order that the work might improve, but because he did not know where else to bestow it, or had no particular desire to see it. A man who thinks of putting away a composition for ten years before he shall give it to the world, or exercise his own maturer judgment upon it, had best be very sure of the original strength and durability of the work; otherwise on withdrawing it from its crypt he may find, that like small wine it has lost what flavour it once had, and is only tasteless when opened. There are works of all tastes and smacks, the small and the strong, those that improve by age, and those that won't bear keeping at all, but are pleasant at the first draught, when they refresh and sparkle. Now Pen had never any notion, even in the time of his youthful inexperience and fervour of imagination, that the story he was writing was a masterpiece of composition, or that he was the equal of the great authors whom he admired; and when he now reviewed his little performance, he was keenly
PREV.   NEXT  
|<   441   442   443   444   445   446   447   448   449   450   451   452   453   454   455   456   457   458   459   460   461   462   463   464   465  
466   467   468   469   470   471   472   473   474   475   476   477   478   479   480   481   482   483   484   485   486   487   488   489   490   >>   >|  



Top keywords:

Warrington

 
Lorraine
 
Walter
 

composition

 

Shakspeare

 

improve

 

altogether

 

questioned

 

ripening

 

exercise


maturer

 
judgment
 

bestow

 
thinks
 
desire
 

buried

 

putting

 

notion

 

youthful

 

inexperience


sparkle

 

refresh

 

keeping

 

pleasant

 

draught

 
fervour
 

imagination

 

reviewed

 

performance

 
keenly

admired

 

writing

 

masterpiece

 

authors

 
withdrawing
 

original

 

strength

 
durability
 

tastes

 

smacks


strong
 

opened

 

tasteless

 

flavour

 

breathed

 

pigmies

 

humbugs

 

Aeschylus

 

resumed

 
manuscript