bach and Wurzburg! Perhaps this is meant as a
compensation for our lost youth. But I can't enjoy it as I could when I
was young. It's wasted on my sere and yellow leaf. I wish Burnamy and
Miss Triscoe were here; I should like to try this garden on them."

"They wouldn't care for it," he replied, and upon a daring impulse he
added, "Kenby and Mrs. Adding might." If she took this suggestion in good
part, he could tell her that Kenby was in Wurzburg.

"Don't speak of them! They're in just that besotted early middle-age when
life has settled into a self-satisfied present, with no past and no
future; the most philistine, the most bourgeois, moment of existence.
Better be elderly at once, as far as appreciation of all this goes." She
rose and put her hand on his arm, and pushed him away in the impulsive
fashion of her youth, across alleys of old trees toward a balustraded
terrace in the background which had tempted her.

"It isn't so bad, being elderly," he said. "By that time we have
accumulated enough past to sit down and really enjoy its associations. We
have got all sorts of perspectives and points of view. We know where we
are at."

"I don't mind being elderly. The world's just as amusing as ever, and
lots of disagreeable things have dropped out. It's the getting more than
elderly; it's the getting old; and then--"

They shrank a little closer together, and walked on in silence till he
said, "Perhaps there's something else, something better--somewhere."

They had reached the balustraded terrace, and were pausing for pleasure
in the garden tops below, with the flowery spaces, and the statued
fountains all coming together. She put her hand on one of the fat little
urchin-groups on the stone coping. "I don't want cherubs, when I can have
these putti. And those old prince-bishops didn't, either!"

"I don't suppose they kept a New England conscience," he said, with a
vague smile. "It would be difficult in the presence of the rococo."

They left the garden through the beautiful gate which the old court
ironsmith Oegg hammered out in lovely forms of leaves and flowers, and
shaped laterally upward, as lightly as if with a waft of his hand, in
gracious Louis Quinze curves; and they looked back at it in the kind of
despair which any perfection inspires. They said how feminine it was, how
exotic, how expressive of a luxurious ideal of life which art had
purified and left eternally charming. They remembered their Ruskinian
y