ich it had wanted
before; and which the Marches felt again in another palace where the
custodian showed them the little tin dishes and saucepans which the
German Empress Augusta and her sisters played with when they were
children. The sight of these was more affecting even than the withered
wreaths which they had left on the death-bed of their mother, and which
are still mouldering there.

This was in the Belvedere, the country house on the height overlooking
Weimar, where the grand-ducal family spend the month of May, and where
the stranger finds himself amid overwhelming associations of Goethe,
although the place is so full of relics and memorials of the owners. It
seemed in fact to be a storehouse for the wedding-presents of the whole
connection, which were on show in every room; Mrs. March hardly knew
whether they heightened the domestic effect or took from it; but they
enabled her to verify with the custodian's help certain royal
intermarriages which she had been in doubt about before.

Her zeal for these made such favor with him that he did not spare them a
portrait of all those which March hoped to escape; he passed them over,
scarcely able to stand, to the gardener, who was to show them the
open-air theatre where Goethe used to take part in the plays.

The Natur-Theater was of a classic ideal, realized in the trained vines
and clipped trees which formed the coulisses. There was a grassy space
for the chorus and the commoner audience, and then a few semicircular
gradines cut in the turf, one alcove another, where the more honored
spectators sat. Behind the seats were plinths bearing the busts of
Goethe, Schiller, Wieland, and Herder. It was all very pretty, and if
ever the weather in Weimar was dry enough to permit a performance, it
must have been charming to see a play in that open day to which the drama
is native, though in the late hours it now keeps in the thick air of
modern theatres it has long forgotten the fact. It would be difficult to
be Greek under a German sky, even when it was not actually raining, but
March held that with Goethe's help it might have been done at Weimar, and
his wife and he proved themselves such enthusiasts for the Natur-Theater
that the walnut-faced old gardener who showed it put together a sheaf of
the flowers that grew nearest it and gave them to Mrs. March for a
souvenir.

They went for a cup of tea to the cafe which looks, as from another
eyebrow of the hill, out over lovel