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t how an American first-class Comic Paper _should_ be conducted." "At what time does your rush of subscribers cease?" "As soon as I begin to charge anything for my paper." "And the newsmen, who take it by the week,--what is their usual time for swarming in your office?" "On the day appointed for the return of unsold copies." "Then I _have_ an idea," said Mr. DIBBLE. "It appears to me, Mr. BENTHAM, that your office, besides being so near Mr. PENDRAGON'S quarters, furnishes all the conditions for a perfectly private confidential interview between this young lady here, and her friend, Miss PENDRAGON. Mr. SIMPSON, if you approve, be kind enough to acquaint Mr. BENTHAM with Miss POTTS'S history, without mentioning names; and explain to him, also, why the ladies' interview should take place in a spot whither that singular young man, Mr. BUMSTEAD, would not be likely to prowl, if in town, in his inspection of umbrellas." The Gospeler hurriedly related the material points of FLORA'S history to his recovered friend, who moaned with all the more cheerful parts, and seemed to think that the serious ones might be worked-up in comic miss-spelling for his paper.--"For there is nothing more humorous in human life," said he, gloomily, "than the defective orthography of a fashionable young girl's education for the solemnity of matrimony." Finally, they all set off for the appointed place of retirement, upon nearing which Mr. DIBBLE volunteered to remain outside as a guard against any possible interruption. The Gospeler led the way up the dark stairs of the building, when they had gained it; and the Flowerpot, following, on JEREMY BENTHAM'S arm, could not help glancing shyly up into the melancholy face of her escort, occasionally. "Do you _never_ smile?" she could not help asking. "Yes," he said, mournfully, "sometimes: when I clean my teeth." No more was said; for they were entering the room of which the tone and atmosphere were those of a receiving-vault. [Footnote 1: Shades of QUINTILIAN and Dr. JOHNSON, what a sentence!] [Footnote 2: Quite independently of any specific design to that end by the Adapter, this Adaptation, carefully following the original English narrative as it does, can not avoid acting as a kind of practical--and, of course, somewhat exaggerative--commentary upon what is strained, forced, or out of the line of average probabilities, in the work Adapted.] CHAPTER XXII. A CONFUSED STAT
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