FREE BOOKS

Author's List




PREV.   NEXT  
|<   242   243   244   245   246   247   248   249   250   251   252   253   254   255   256   257   258   259   260   261   262   263   264   265   266  
267   268   269   270   271   272   273   274   275   276   277   278   279   280   281   282   283   284   285   286   287   288   289   290   291   >>   >|  
ment we turn away as much as we can; what interests us is, as we said above, the unmovable plan of the movement rather than the movement itself. Is it a simple movement? We ask ourselves _where_ it is going. It is by its direction, that is to say, by the position of its provisional end, that we represent it at every moment. Is it a complex movement? We would know above all _what_ is going on, _what_ the movement is doing--in other words, the _result_ obtained or the presiding _intention_. Examine closely what is in your mind when you speak of an action in course of accomplishment. The idea of change is there, I am willing to grant, but it is hidden in the penumbra. In the full light is the motionless plan of the act supposed accomplished. It is by this, and by this only, that the complex act is distinguished and defined. We should be very much embarrassed if we had to imagine the movements inherent in the actions of eating, drinking, fighting, etc. It is enough for us to know, in a general and indefinite way, that all these acts are movements. Once that side of the matter has been settled, we simply seek to represent the _general plan_ of each of these complex movements, that is to say the _motionless design_ that underlies them. Here again knowledge bears on a state rather than on a change. It is therefore the same with this third case as with the others. Whether the movement be qualitative or evolutionary or extensive, the mind manages to take stable views of the instability. And thence the mind derives, as we have just shown, three kinds of representations: (1) qualities, (2) forms of essences, (3) acts. To these three ways of seeing correspond three categories of words: _adjectives_, _substantives_, and _verbs_, which are the primordial elements of language. Adjectives and substantives therefore symbolize _states_. But the verb itself, if we keep to the clear part of the idea it calls up, hardly expresses anything else. * * * * * Now, if we try to characterize more precisely our natural attitude towards Becoming, this is what we find. Becoming is infinitely varied. That which goes from yellow to green is not like that which goes from green to blue: they are different _qualitative_ movements. That which goes from flower to fruit is not like that which goes from larva to nymph and from nymph to perfect insect: they are different _evolutionary_ movements. The action of eating or of d
PREV.   NEXT  
|<   242   243   244   245   246   247   248   249   250   251   252   253   254   255   256   257   258   259   260   261   262   263   264   265   266  
267   268   269   270   271   272   273   274   275   276   277   278   279   280   281   282   283   284   285   286   287   288   289   290   291   >>   >|  



Top keywords:

movement

 

movements

 

complex

 

general

 

change

 

Becoming

 

action

 

eating

 
motionless
 

qualitative


substantives
 

represent

 

evolutionary

 
correspond
 

essences

 
qualities
 
categories
 

stable

 

manages

 

extensive


Whether

 

instability

 
representations
 

derives

 
attitude
 

natural

 

characterize

 

precisely

 
infinitely
 

varied


perfect

 

insect

 

yellow

 

flower

 

symbolize

 

states

 

Adjectives

 

language

 
primordial
 
elements

expresses

 

adjectives

 

closely

 

Examine

 

intention

 

result

 

obtained

 

presiding

 

accomplishment

 

unmovable