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o be the hero of a farce. Although exceedingly soft, he is a well-bred fool--though somewhat fat (for the actor is Mr. David Rees); he is not altogether inelegant. The gentleman who does the theatrical metaphysics in the _Morning Herald_ has described him as a capital specimen of "physical obesity and moral teunity,"[3]--which we quote to save ourselves trouble, for the force of description can no further go. _Prudence_ is also inimitable--a march-of-intellect young lady without brains, who knows the names of the five large rivers in America, and how many bones there are in the gills of a turbot. In Miss P. Horton's hands her mechanical acquirements were done ample justice to. The cold unmeaning love scene was rendered mainly by her acting [Illustration: A N-ICE SITUATION.] [3] _Sic_, actually, in the dramatic article of that paper, Wednesday, 24th ult. In fine, the farce is altogether a leaven of the best material most cleverly worked up. * * * * * A PERFECT VACUUM PROVED. MR. HALSE, the gentleman who has during the last week been lecturing upon Animal Magnetism, having stated that one of his patients, while under the magnetic influence, could "see her own inside," the Marquis of Londonderry, anxious to test the truth of the assertion, requested the lecturer to operate upon him, and being thrown into the Mesmeric sleep, looked into the inside of his own head, and declared he could see nothing in it. * * * * * A CON BY O'CONNER. Why ought the Children of a Thief to be burnt?--Because _their Pa steals_ (they're pastiles). * * * * * End of the Project Gutenberg EBook of Punch, or the London Charivari, Vol. 1, December 4, 1841, by Various *** END OF THIS PROJECT GUTENBERG EBOOK PUNCH *** ***** This file should be named 14939.txt or 14939.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.net/1/4/9/3/14939/ Produced by Syamanta Saikia, Jon Ingram, Barbara Tozier and the PG Online Distributed Proofreading Team Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without payi
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