be his discouragement with his powers
of creation, for, however fair he may feel his poem to be, it yet does
not fill the place of what he has lost. Thus Francis Thompson sighs over
the poet,
When the embrace has failed, the rapture fled,
Not he, not he, the wild sweet witch is dead,
And though he cherisheth
The babe most strangely born from out her death,
Some tender trick of her it hath, maybe,
It is not she.
[Footnote: _Sister Songs_.]
We have called the poet an egotist, and surely, his attitude toward the
blind rout who have had no glimpse of the heavenly vision, is one of
contemptuous superiority. But like the priest in the temple, all his
arrogance vanishes when he ceases to harangue the congregation, and goes
into the secret place to worship. And toward anyone who sincerely seeks
the revelation, no matter how feeble his powers may be, the poet's
attitude is one of tenderest sympathy and comradeship. Alice Gary
pleads,
Hear me tell
How much my will transcends my feeble powers,
As one with blind eyes feeling out in flowers
Their tender hues.
[Footnote: _To the Spirit of Song_.]
And there is not a poet in the last century of such prominence that he
does not reverence such a confession, [Footnote: Some poems showing the
similarity in such an attitude of great and small alike, follow:
_Epistle to Charles C. Clarke_, Keats; _The Soul's Expression_, Mrs.
Browning; _Memorial Verses to Wm. B. Scott_, Swinburne; _Sister Songs_,
_Proemion to Love in Dian's Lap_, _A Judgment in Heaven_, Francis
Thompson; _Urania_, Matthew Arnold; _There Have Been Vast Displays of
Critic Wit_, Alexander Smith; _Invita Minerva_ and _L'Envoi to the
Muse_, J. R. Lowell; _The Voiceless_, O. W. Holmes; _Fata Morgana_, and
_Epimetheus, or the Poet's Afterthought_, Longfellow; _L'Envoi_,
Kipling; _The Apology_, and _Gleam on Me, Fair Ideal_, Lewis Morris;
_Dedication to Austin Dobson_, E. Gosse; _A Country Nosegay_, and
_Gleaners of Fame_, Alfred Austin; _Another Tattered Rhymster in the
Ring_, G. K. Chesterton; _To Any Poet_, Alice Meynell; _The Singer_, and
_To a Lady on Chiding Me For Not Writing_, Richard Realf; _The Will and
the Wing_ and _Though Dowered with Instincts Keen and High_, P. H.
Haynes; _Dull Words_, Trumbull Stickney; _The Inner Passion_, Alfred
Noyes; _The Veiled Muse_, William Winter; _Sonnet_, William Bennett;
_Tell Me_, Max Ehrmann; _The Singer's Plea_, Edward Dowden; _Genius_, R.
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