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Footnote: _Alastor_.] The poet is not, he himself avers, merely thinking about things. He becomes one with them. In this sense all poets are pantheists, and the flash of their inspiration means the death of their personal thought, enabling them, like Lucy, to be Rolled round in earth's diurnal course With rocks and stones and trees. Hence the singer has always been called a madman. The modern writer cannot escape Plato's conclusion, There is no invention in him (the poet) until he has been inspired and is out of his senses, and the mind is no longer in him: when he has not attained to this state he is powerless and unable to utter his oracles. [Footnote: _Ion_, Sec.534.] And again, There is a ... kind of madness which is a possession of the Muses; this enters into a delicate and virgin soul, and there inspiring frenzy, awakens lyric and all other numbers.... But he who, not being inspired, and having no touch of madness in his soul, comes to the door and thinks he will get into the temple by the help of art, he, I say, and his poetry are not admitted; the sane man is nowhere at all when he enters into rivalry with the madman. [Footnote: _Phaedrus_, Sec. 245.] Even Aristotle, that sanest of philosophers, so far agrees with Plato as to say, Poetry implies either a happy gift of nature, or a strain of madness. In the one case, a man can take the mold of any character; in the other he is lifted out of his proper self. [Footnote: _Poetics_, XVII.] One must admit that poets nowadays are not always so frank as earlier ones in describing their state of mind. Now that the lunatic is no longer placed in the temple, but in the hospital, the popular imputation of insanity to the poet is not always favorably received. Occasionally he regards it as only another unjust charge brought against him by a hostile world. Thus a brother poet has said that George Meredith's lot was Like Lear's--for he had felt the sting Of all too greatly giving The kingdom of his mind to those Who for it deemed him mad. [Footnote: Cale Young Rice, _Meredith_.] In so far as the world's pronouncement is based upon the oracles to which the poet gives utterance, he always repudiates the charge of madness. Such various poets as Jean Ingelow, [Footnote: See _Gladys and Her Island_.] James Thomson, B. V., [Footnote: See _Tasso to Leonora_.] Helen Hunt
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