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at the gate of the Baker Institution. It happened to be the last day of her probation. There has never been any difficulty in explaining Lindsay's marriage with Alicia Livingstone even to himself; the reasons for it, indeed, were so many and so obvious that he wondered often why they had not struck him earlier. But it is worth noting, perhaps, that the immediate precipitating cause arose in one evening service at the Cathedral, where it had its birth in the very individual charm of the nape of Alicia's neck, as she knelt upon her hassock in the fitting and graceful act of the responses. His instincts in these matters seem to have had a generous range, considering the tenets he was born to, but it was to him then a delightful reflection, often since repeated, that in the sheltered garden of delicate perfumes where this sweet person took her spiritual pleasure there was no rank vegetation. It is much to Miss Hilda Howe's credit that amid the distractions of her most successful London season she never quite abandons these two to the social joys that circle round the Ochterlony Monument and the arid scenic consolations of the Maidan. Her own experience there is one of the things, I fancy, that make her fond of saying that the stage is the merest cardboard presentation, and that one day she means to leave it, to coax back to her bosom the life which is her heritage in the wider, simpler ways of the world. She never mentions that experience more directly or less ardently. But I fear the promise I have quoted is one that she makes too often. End of the Project Gutenberg EBook of The Path of a Star, by Mrs. Everard Cotes (AKA Sara Jeannette Duncan) *** END OF THIS PROJECT GUTENBERG EBOOK THE PATH OF A STAR *** ***** This file should be named 5102.txt or 5102.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/5/1/0/5102/ Produced by Don Lainson Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg-tm electronic works to protect the PROJECT
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