itself a Klarungswecke
in its imperfect French.

No roll of butter records in faltering accents the name of the brilliant
and disdainful English lady who replaced this poor tragic muse in the
Margrave's heart, though the lady herself lived to be the last Margravine
of Ansbach, where everybody seems to have hated her with a passion which
she doubtless knew how to return. She was the daughter of the Earl of
Berkeley, and the wife of Lord Craven, a sufficiently unfaithful and
unworthy nobleman by her account, from whom she was living apart when the
Margrave asked her to his capital. There she set herself to oust Mlle.
Clairon with sneers and jests for the theatrical style which the actress
could not outlive. Lady Craven said she was sure Clairon's nightcap must
be a crown of gilt paper; and when Clairon threatened to kill herself,
and the Margrave was alarmed, "You forget," said Lady Craven, "that
actresses only stab themselves under their sleeves."

She drove Clairon from Ansbach, and the great tragedienne returned to
Paris, where she remained true to her false friend, and from time to time
wrote him letters full of magnanimous counsel and generous tenderness.
But she could not have been so good company as Lady Craven, who was a
very gifted person, and knew how to compose songs and sing them, and
write comedies and play them, and who could keep the Margrave amused in
many ways. When his loveless and childless wife died he married the
English woman, but he grew more and more weary of his dull little court
and his dull little country, and after a while, considering the uncertain
tenure sovereigns had of their heads since the French King had lost his,
and the fact that he had no heirs to follow him in his principality, he
resolved to cede it for a certain sum to Prussia. To this end his new
wife's urgence was perhaps not wanting. They went to England, where she
outlived him ten years, and wrote her memoirs.

The custodian of the Schloss came at last, and the Marches saw instantly
that he was worth waiting for. He was as vainglorious of the palace as
any grand-monarching margrave of them all. He could not have been more
personally superb in showing their different effigies if they had been
his own family portraits, and he would not spare the strangers a single
splendor of the twenty vast, handsome, tiresome, Versailles-like rooms he
led them through. The rooms were fatiguing physically, but so poignantly
interesting that Mr