king under
the seats, had found my traveling-bag and was "going through" it.

I felt a thrill of pride as I recognized in this crouching figure an
officer of our government, and knew that I was in my native land.

SUMMER IN A GARDEN

and

CALVIN A STUDY OF CHARACTER

By Charles Dudley Warner

INTRODUCTORY LETTER

MY DEAR MR. FIELDS,--I did promise to write an Introduction to these
charming papers but an Introduction,--what is it?--a sort of
pilaster, put upon the face of a building for looks' sake, and
usually flat,--very flat. Sometimes it may be called a caryatid,
which is, as I understand it, a cruel device of architecture,
representing a man or a woman, obliged to hold up upon his or her
head or shoulders a structure which they did not build, and which
could stand just as well without as with them. But an Introduction
is more apt to be a pillar, such as one may see in Baalbec, standing
up in the air all alone, with nothing on it, and with nothing for it
to do.

But an Introductory Letter is different. There is in that no
formality, no assumption of function, no awkward propriety or dignity
to be sustained. A letter at the opening of a book may be only a
footpath, leading the curious to a favorable point of observation,
and then leaving them to wander as they will.

Sluggards have been sent to the ant for wisdom; but writers might
better be sent to the spider, not because he works all night, and
watches all day, but because he works unconsciously. He dare not
even bring his work before his own eyes, but keeps it behind him, as
if too much knowledge of what one is doing would spoil the delicacy
and modesty of one's work.

Almost all graceful and fanciful work is born like a dream, that
comes noiselessly, and tarries silently, and goes as a bubble bursts.
And yet somewhere work must come in,--real, well-considered work.

Inness (the best American painter of Nature in her moods of real
human feeling) once said, "No man can do anything in art, unless he
has intuitions; but, between whiles, one must work hard in collecting
the materials out of which intuitions are made." The truth could not
be hit off better. Knowledge is the soil, and intuitions are the
flowers which grow up out of it. The soil must be well enriched and
worked.

It is very plain, or will be to those who read these papers, now
gathered up into this book, as into a chariot for a race, that the
author has long employed his ey