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Molly, who is dairy-woman at the Brookes', that the Brookes were mighty set-up with an invitation to drink tea at the Hall. There we were, Tom Diggles even on the grin (I wonder how long it is since he was own brother to a scarecrow, only not so decently dressed) and Mrs. Parsoness of Headleigh,--I forget her name, and it's no matter, for she's an ill-bred creature, I hope Bessy will behave herself better--was right-down bursting with laughter, and as near a hee-haw as ever a donkey was, when what does my lady do? Ay! there's my own dear Lady Ludlow, God bless her! She takes out her own pocket-handkerchief, all snowy cambric, and lays it softly down on her velvet lap, for all the world as if she did it every day of her life, just like Mrs. Brooke, the baker's wife; and when the one got up to shake the crumbs into the fire-place, the other did just the same. But with such a grace! and such a look at us all! Tom Diggles went red all over; and Mrs. Parsoness of Headleigh scarce spoke for the rest of the evening; and the tears came into my old silly eyes; and Mr. Gray, who was before silent and awkward in a way which I tell Bessy she must cure him of, was made so happy by this pretty action of my lady's, that he talked away all the rest of the evening, and was the life of the company. 'Oh, Margaret Dawson! I sometimes wonder if you're the better off for leaving us. To be sure you're with your brother, and blood is blood. But when I look at my lady and Mr. Gray, for all they're so different, I would not change places with any in England.' Alas! alas! I never saw my dear lady again. She died in eighteen hundred and fourteen, and Mr. Gray did not long survive her. As I dare say you know, the Reverend Henry Gregson is now vicar of Hanbury, and his wife is the daughter of Mr. Gray and Miss Bessy. ***END OF THE PROJECT GUTENBERG EBOOK MY LADY LUDLOW*** ******* This file should be named 2524.txt or 2524.zip ******* This and all associated files of various formats will be found in: http://www.gutenberg.org/dirs/2/5/2/2524 Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without pa
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