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of striking, 101 _Trade's Increase_, Jacobean merchantman, 108 Triremes, first use of, in Greece, 29 ----, Greek, crews of, 42 ----, ----, dimensions of, 39 ----, ----, length of oars of, 42 _See also_ GALLEYS _Triumph_, Elizabethan warship, 98 Trojan expedition, ships used in, 31 "Tumble home," why introduced, 78 Turrets, use of, in Roman galleys, 54 U Unireme, Greek, of about 500 B.C., 31. _See also_ GALLEYS V Vasco da Gama, ships of, 91 ----, voyages of, 91 Veneti, ships of, 55 Venetian galleasses, end of the sixteenth century, 103 ----, galleon of the sixteenth century, 78 ----, galley of the fourteenth century, 77 ----, galleys, number of rowers to oars of, 47 ----, ship, built for France, 1268, 73 ----, twelfth century ship of great size, 68 Venetians, first use of naval artillery by, 77 ----, skill of, in shipbuilding, 69 Ventilation of warships, middle of the eighteenth century, 123 Viking ship, description of, 59 Voyages of Vasco da Gama, 91 W Warships of Ramses III., 23 ----, ventilation of, middle of the eighteenth century, 123 _See also_ ENGLISH WARSHIPS, ENGLISH FIRST-RATES, FRIGATES, FLEETS, GALLEYS, SHIPS, FRENCH FIRST-RATES _Waterloo_, English first-rate, time of William IV., 141, 142 Waterways, introduction of, in shipbuilding, 139 West Indiaman, the _Thetis_, 146 END OF PART I. PRINTED BY WYMAN AND SONS, LIMITED, LONDON AND READING. End of Project Gutenberg's Ancient and Modern Ships., by George C. V. Holmes *** END OF THIS PROJECT GUTENBERG EBOOK ANCIENT AND MODERN SHIPS. *** ***** This file should be named 33098.txt or 33098.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/3/3/0/9/33098/ Produced by Chris Curnow, Turgut Dincer and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set fo
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