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or the melancholy demon, that fitfully possessed the first king of Israel, was expelled by the skilful hand of his successor, even when his youthful fingers awoke the melodies of the lyre, how much more puissant the exquisite Odes of the sweet Psalmist, inspired as they were with sentiments and views alike honorable to God and man, to elevate the conceptions, purify the heart, ennoble the aspirations, and adorn the life of man! As the cask long retains the odor of the wine put into it, so the moral and religious fragrance of many a fine poetic effusion, securely lodged in the recesses of memory, may yield, and often does yield, a rich repast of pleasurable associations and emotions which, beside their opportune recurrence in some trying or tempting hour or season of adversity, do often energize our souls with a moral heroism to deeds of nobler daring, which result in enterprises full of blessings to ourselves, and not unfrequently to our associates in the walks of life, and radiate through them salutary light for generations to come. Imagination, like every other faculty, is to be cultivated. But here we are interrogated--'What is Imagination?' No distinction has given critics more trouble, in the way of definition, than that between Imagination and Fancy. Fancy, it is held, is given to beguile and quicken the temporal part of our nature; Imagination to incite and support the eternal. It would be vain to enumerate the various definitions of this term, or to attempt to give even an abstract of the diversity of views entertained by philosophers respecting the nature and extent of its operations. It is regarded by some writers as that power or faculty of the mind by which it conceives and forms ideas of things communicated to it by the organs of sense. So defines our encyclopaedias. Bacon defined it to be the 'representation of an individual thought.' But Dugald Stewart more philosophically defines it as the 'power of modifying our conceptions, by combining the parts of different ones so as to form new wholes of our own creation.' The Edinburgh Encyclopaedia, not satisfied with this, says Webster defines it to be the _will working on the materials of memory, selecting parts of different conceptions, or objects of memory, to form some new whole_. This has long been our cherished view of Imagination. It creates only as a mechanic creates a chest of drawers, a sideboard, a clock, or a watch. It originates not a sing
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