f the
Adam Brothers and the beautiful work of Angelica Kaufmann, Cipriani, and
Pergolesi. In both France and England there was at this time the
comprehension and appreciation of beauty and good taste combined with a
carefree gaiety which made the ineffable charm of the eighteenth century
a living thing. There are some of our modern workmen and painters of
furniture who feel this so thoroughly that their work is very fine, but
the majority have no knowledge or understanding of the period, and,
although they may copy the lovely things of that time, the essence, the
true spirit, is lacking. Cabinet making and painting in those days was a
beloved and honored craft; to-day, alas, it is too often a matter of
union rules.
Chinese lacquer, while not strictly coming under the head of painted
furniture, was another branch of decorated furniture which was in great
demand at this time. The design in gold was done on a black or red or
green ground and was beautiful in effect.
[Illustration: The delicacy of the painting and the graceful proportions
of these reproductions are in the true spirit of Adam.]
[Illustration: A three-chair settee of the Sheraton period, lacquered,
and with cane seat. It would be appropriate for a living-room or hall.]
[Illustration: A wing-chair with a painted frame is comfortable and
harmonizes with painted furniture.]
[Illustration: This simple slat-backed chair can be made most attractive
at small expense with paint and a motif from the chintz for decoration.]
While the upper classes were having this beautiful furniture made for
their use, the peasant class was serenely going on its way decorating
its furniture according to its own ideas and getting charming results.
The designs were usually conventionalized field flowers done with great
spirit and charm. From the peasants of Brittany and Flanders and Holland
have come down to us many beautiful marriage chests and other pieces of
furniture which are simple and straightforward and a bit crude in their
design and color, but which have done much to serve as a help and guide
in our modern work.
The supply of painted furniture to-day is inspired by these different
kinds of the great periods of decoration. There are many grades and
kinds in the market, some very fine, keeping up the old traditions of
beauty, some charming and effective in style and color, but with a
modern touch, and some very very bad indeed; "and when they are bad they
are horr
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