dinary ideas?
JAMES. By reading modern books and magazines, sir, and of course--
PETER. I thought so. [_Pointing to his books._] Read Heine. Cultivate
sentiment. [_Signing the letter._] Happy? Has it ever occurred to you that
Katie is not happy?
JAMES. No, sir, I can't truthfully say that it has.
PETER. I imagine not. These are the happiest hours of her life. Young ...
in love ... soon to be married.
JAMES. [_After a long pause._] Is it settled, sir?
PETER. No, but I'll soon settle it. Anyone can see how she feels towards
Frederik.
JAMES. [_After a shorter pause._] Isn't she very young to marry, sir?
PETER. Not when she marries into the family; not when _I_ am in the
house--[_Touching his chest._] to guard her--to watch over her. Leave it
to _me_. [_Enthusiastically._] Sit here, James. Take one of Frederik's
cigars. [JAMES _politely thanks him, but doesn't take one._] It's a
pleasure to talk to some one who's interested; and you _are_ interested,
James?
JAMES. Yes, sir, I'm much more interested than you might think.
PETER. Good. We'll take up the mail in a minute. Now, in order to carry
out my plans--
CATHERINE. [_Sticking her head in the door._] Ready for coffee?
PETER. Er--a little later. Close the door, dear. [_She disappears, closing
the door._] In order to carry out my plans, I have had to use great
diplomacy. I made up my mind to keep Katie in the family; being a rich
man--everybody knows it--I've had to guard against fortune-hunters.
However, I think I've done away with them, for the whole town understands
that Katie hasn't a penny--doesn't it, James?
JAMES. Yes, sir.
PETER. Yes, I think I've made that very clear. My dream was to bring
Catherine up to keep her in the family, and it has been fulfilled. My
plans have turned out beautifully, for she is satisfied and happy.
JAMES. But did you want her to be happy simply because _you_ are happy,
sir? Don't you want her to be happy because _she_ is happy?
PETER. If she's happy, why should I care? [_Picks up the last letter._
JAMES. _If_ she's happy.
PETER. [_Losing his temper._] What do you mean? That's the second time
you've said that. Why do you harp on--
JAMES. [_Rising._] Excuse me, sir.
PETER. [_Angrily._] Sit down. What do you know?
JAMES. Nothing, sir....
PETER. You must know something to speak in this manner.
JAMES. No, I don't. You're a great expert in your line, Mr. Grimm, and I
have the greatest respect for
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