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Project Gutenberg's The Return of Peter Grimm, by David Belasco Edited by Montrose J. Moses This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: The Return of Peter Grimm Author: David Belasco Edited by Montrose J. Moses Release Date: August 29, 2004 [EBook #13319] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK THE RETURN OF PETER GRIMM *** Produced by David Starner, Charles Bidwell and PG Distributed Proofreaders THE RETURN OF PETER GRIMM [Illustration: DAVID BELASCO] DAVID BELASCO (Born, San Francisco, July 25, 1853) The present Editor has had many opportunities of studying the theatre side of David Belasco. He has been privileged to hear expressed, by this Edison of our stage, diverse opinions about plays and players of the past, and about insurgent experiments of the immediate hour. He has always found a man quickly responsive to the best memories of the past, an artist naively childlike in his love of the theatre, shaped by old conventions and modified by new inventions. Belasco is the one individual manager to-day who has a workshop of his own; he is pre-eminently a creator, whereas his contemporaries, like Charles Frohman, were emphatically manufacturers of goods in the amusement line. Such a man is entitled to deep respect, for the "carry-on" spirit with which he holds aloft the banner used by Boucicault, Wallack, Palmer, and Daly. It is wrong to credit him with deafness to innovation, with blindness to new combinations. He is neither of these. It is difficult to find a manager more willing to take infinite pains for effect, with no heed to the cost; it is impossible to place above him a director more successful in creating atmosphere and in procuring unity of cooperation from his staff. No one, unless it be Winthrop Ames, gives more personal care to a production than David Belasco. Considering that he was reared in the commercial theatre, his position is unique and distinctive. In the years to come, when students enter the Columbia University Dramatic Museum, founded by Professor Brander Matthews, they will be able to judge, from the model of the stage set for "Peter Grimm," exactly how far David Bel
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