f a god, or the various phases in
his life. Thus the setting sun, called Temu or Atmu, and the rising sun,
called Khepera, and the mid-day sun, called R[=a], were three forms of
the same god; and if any one of these three forms was included in a
_paut_ or company of nine gods, the other two forms were also included
by implication, even though the _paut_ then contained eleven, instead of
nine gods. Similarly, the various forms of each god or goddess of the
_paut_ were understood to be included in it, however large the total
number of gods might become. We are not, therefore, to imagine that the
three companies of the gods were limited in number to 9 x 3, or
twenty-seven, even though the symbol for god be given twenty-seven times
in the texts.
We have already alluded to the great number of gods who were known to
the Egyptians, but it will be readily imagined that it was only those
who were thought to deal with man's destiny, here and hereafter, who
obtained the worship and reverence of the people of Egypt. These were,
comparatively, limited in number, and in fact may be said to consist of
the members of the great company of the gods of Heliopolis, that is to
say, of the gods who belonged to the cycle of Osiris. These may be
briefly described as follows:--
1. TEMU or ATMU, _i.e._, the "closer" of the day, just as Ptah was the
"opener" of the day. In the story of the creation he declares that he
evolved himself under the form of the god Khepera, and in hymns he is
said to be the "maker of the gods", "the creator of men", etc., and he
usurped the position of R[=a] among the gods of Egypt. His worship
must have been already very ancient at the time of the kings of the
Vth dynasty, for his traditional form is that of a man at that time.
2. SHU was the firstborn son of Temu. According to one legend he
sprang direct from the god, and according to another the goddess
Hathor was his mother; yet a third legend makes him the son of Temu by
the goddess Ius[=a]set. He it was who made his way between the gods
Seb and Nut and raised up the latter to form the sky, and this belief
is commemorated by the figures of this god in which he is represented
as a god raising himself up from the earth with the sun's disk on his
shoulders. As a power of nature he typified the light, and, standing
on the top of a staircase at Hermopolis Magua, [Footnote: See above,
pp. 69 and 89.] he raised up the sky and held i
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