--a good account of me?" she said. "I know that you do
not care for New York," she added with a smile. "But it is possible to be
happy here."

"I am glad you are happy, Honora, and that you have got what you wanted
in life. Although I may be unreasonable and provincial and--and Western,"
he confessed with a twinkle--for he had the characteristic national trait
of shading off his most serious remarks--"I have never gone so far as to
declare that happiness was a question of locality."

She laughed.

"Nor fame." Her mind returned to the loadstar.

"Oh, fame!" he exclaimed, with a touch of impatience, and he used the
word that had possessed her all day. "There is no reality in that. Men
are not loved for it."

She set down her cup quickly. He was looking at the water-colour.

"Have you been to the Metropolitan Museum lately?" he asked.

"The Metropolitan Museum?" she repeated in bewilderment.

"That would be one of the temptations of New York for me," he said. "I
was there for half an hour this afternoon before I presented myself at
your door as a suspicious character. There is a picture there, by Coffin,
called 'The Rain,' I believe. I am very fond of it. And looking at it on
such a winter's day as this brings back the summer. The squall coming,
and the sound of it in the trees, and the very smell of the wet
meadow-grass in the wind. Do you know it?"

"No," replied Honora, and she was suddenly filled with shame at the
thought that she had never been in the Museum. "I didn't know you were so
fond of pictures."

"I am beginning to be a rival of Mr. Dwyer," he declared. "I've bought
four--although I haven't built my gallery. When you come to St. Louis
I'll show them to you--and let us hope it will be soon."

For some time after she had heard the street door close behind him Honora
remained where she was, staring into the fire, and then she crossed the
room to a reading lamp, and turned it up.

Some one spoke in the doorway.

"Mr. Grainger, madam."

Before she could rouse herself and recover from her astonishment, the
gentleman himself appeared, blinking as though the vision of her were too
bright to be steadily gazed at. If the city had been searched, it is
doubtful whether a more striking contrast to the man who had just left
could have been found than Cecil Grainger in the braided, grey cutaway
that clung to the semblance of a waist he still possessed. In him Hyde
Park and Fifth Avenue, so to speak, shook h