icked up her coat from the chair where she had laid it.

"Where are you going?" he demanded. And she replied laconically, "Home."

"Wait a minute," he said, rising and taking a step toward her.

"You have an appointment with the Mayor," she reminded him.

"I know," he said, glancing at the clock over the door. "Where have you
been?--where were you this morning? I was worried about you, I--I was
afraid you might be sick."

"Were you?" she said. "I'm all right. I had business in Boston."

"Why didn't you telephone me? In Boston?" he repeated.

She nodded. He started forward again, but she avoided him.

"What's the matter?" he cried. "I've been worried about you all day
--until this damned strike broke loose. I was afraid something had
happened."

"You might have asked my father," she said.

"For God's sake, tell me what's the matter!"

His desire for her mounted as his conviction grew more acute that
something had happened to disturb a relationship which, he had
congratulated himself, after many vicissitudes and anxieties had at last
been established. He was conscious, however, of irritation because this
whimsical and unanticipated grievance of hers should have developed at
the moment when the caprice of his operatives threatened to interfere
with his cherished plans--for Ditmar measured the inconsistencies of
humanity by the yardstick of his desires. Her question as to why he had
not made inquiries of her father added a new element to his disquietude.
As he stood thus, worried, exasperated, and perplexed, the fact that
there was in her attitude something ominous, dangerous, was slow to dawn
on him. His faculties were wholly unprepared for the blow she struck him.

"I hate you!" she said. She did not raise her voice, but the deliberate,
concentrated conviction she put into the sentence gave it the dynamic
quality of a bullet. And save for the impact of it--before which he
physically recoiled--its import was momentarily without meaning.

"What?" he exclaimed, stupidly.

"I might have known you never meant to marry me," she went on. Her hands
were busy with the buttons of her coat.

"All you want is to use me, to enjoy me and turn me out when you get
tired of me--the way you've done with other women. It's just the same
with these mill hands, they're not human beings to you, they're--they're
cattle. If they don't do as you like, you turn them out; you say they can
starve for all you care."

"For God's sake,