FREE BOOKS

Author's List




PREV.   NEXT  
|<   534   535   536   537   538   539   540   541   542   543   544   545   546   547   548   549   550   551   552   553   554   555   556   557   558  
559   560   561   562   563   564   565   566   567   568   569   570   571   572   573   574   575   576   577   578   579   580   581   582   583   >>   >|  
nd twelve hours a day, and I'm man enough to do it yet, if I have to. When the last agent--that was Cort--was sacked I went to Boston on my own hook and tackled the old gentleman--that's the only way to get anywhere. I couldn't bear to see the mill going to scrap, and I told him a thing or two,--I had the facts and the figures. Stephen Chippering was a big man, but he had a streak of obstinacy in him, he was conservative, you bet. I had to get it across to him there was a lot of dead wood in this plant, I had to wake him up to the fact that the twentieth century was here. He had to be shown--he was from Boston, you know--" Ditmar laughed--"but he was all wool and a yard wide, and he liked me and trusted me. "That was in nineteen hundred. I can remember the interview as well as if it had happened last night--we sat up until two o'clock in the morning in that library of his with the marble busts and the leather-bound books and the double windows looking out over the Charles, where the wind was blowing a gale. And at last he said, `All right, Claude, go ahead. I'll put you in as agent, and stand behind you.' And by thunder, he did stand behind me. He was quiet, the finest looking old man I ever saw in my life, straight as a ramrod, with a little white goatee and a red, weathered face full of creases, and a skin that looked as if it had been pricked all over with needles--the old Boston sort. They don't seem to turn 'em out any more. Why, I have a picture of him here." He opened a drawer in his desk and drew out a photograph. Janet gazed at it sympathetically. "It doesn't give you any notion of those eyes of his," Ditmar said, reminiscently. "They looked right through a man's skull, no matter how thick it was. If anything went wrong, I never wasted any time in telling him about it, and I guess it was one reason he liked me. Some of the people up here didn't understand him, kow-towed to him, they were scared of him, and if he thought they had something up their sleeves he looked as if he were going to eat 'em alive. Regular fighting eyes, the kind that get inside of a man and turn the light on. And he sat so still--made you ashamed of yourself. Well, he was a born fighter, went from Harvard into the Rebellion and was left for dead at Seven Oaks, where one of the company found him and saved him. He set that may up for life, and never talked about it, either. See what he wrote on the bottom--'To my friend, Claude Ditmar,
PREV.   NEXT  
|<   534   535   536   537   538   539   540   541   542   543   544   545   546   547   548   549   550   551   552   553   554   555   556   557   558  
559   560   561   562   563   564   565   566   567   568   569   570   571   572   573   574   575   576   577   578   579   580   581   582   583   >>   >|  



Top keywords:

Ditmar

 

looked

 

Boston

 
Claude
 

reminiscently

 

needles

 

matter

 
creases
 
pricked
 

picture


photograph

 

opened

 

notion

 

drawer

 

sympathetically

 
Rebellion
 

Harvard

 

fighter

 

ashamed

 

company


bottom

 

friend

 

talked

 

people

 
understand
 

reason

 

wasted

 
telling
 
scared
 

fighting


Regular
 

inside

 

thought

 

sleeves

 

blowing

 

obstinacy

 
streak
 

conservative

 

Chippering

 
figures

Stephen

 

century

 

twentieth

 
sacked
 

twelve

 

couldn

 

tackled

 

gentleman

 

laughed

 
windows