who wrestle with Nature so boldly. No doubt his
heroines are more expansively endowed than would be thought genteel
in our country, where cryptogams are so much in fashion,
nevertheless there is always something very tremendous about him,
and very often much that is sublime, pathetic, and moving. I defy
any one of the average amount of imagination and sentiment to stand
long before the Descent from the Cross without being moved more
nearly to tears than he would care to acknowledge. As for color,
his effects are as sure as those of the sun rising in a tropical
landscape. There is something quite genial in the cheerful sense of
his own omnipotence which always inspired him. There are a few fine
pictures of his here, and I go in sometimes of a raw, foggy morning
merely to warm myself in the blaze of their beauty."

I have been more willing to give room to this description of Rubens's
pictures and the effect they produced upon Motley, because there is a
certain affinity between those sumptuous and glowing works of art and the
prose pictures of the historian who so admired them. He was himself a
colorist in language, and called up the image of a great personage or a
splendid pageant of the past with the same affluence, the same rich
vitality, that floods and warms the vast areas of canvas over which the
full-fed genius of Rubens disported itself in the luxury of imaginative
creation.

XI.

1856-1857. AEt. 42-43.

PUBLICATION OF HIS FIRST HISTORICAL WORK, "RISE OF THE DUTCH REPUBLIC."
--ITS RECEPTION.--CRITICAL NOTICES.

The labor of ten years was at last finished. Carrying his formidable
manuscript with him,--and how formidable the manuscript which melts down
into three solid octavo volumes is, only writers and publishers know,--he
knocked at the gate of that terrible fortress from which Lintot and Curll
and Tonson looked down on the authors of an older generation. So large a
work as the "History of the Rise of the Dutch Republic," offered for the
press by an author as yet unknown to the British public, could hardly
expect a warm welcome from the great dealers in literature as
merchandise. Mr. Murray civilly declined the manuscript which was offered
to him, and it was published at its author's expense by Mr. John Chapman.
The time came when the positions of the first-named celebrated publisher
and the unknown writer were reversed. Mr. Murray wrote to Mr. Motley
asking to be a