y any previous historical writer.
At the same time he is not oppressed by his materials, but has
sagacity to estimate their real value, and he has combined with
scholarly power the facts which they contain. He has rescued the
story of the Netherlands from the domain of vague and general
narrative, and has labored, with much judgment and ability, to
unfold the 'Belli causas, et vitia, et modos,' and to assign to
every man and every event their own share in the contest, and their
own influence upon its fortunes. We do not wonder that his earlier
publication has been received as a valuable addition, not only to
English, but to European literature."

One or two other contemporary criticisms may help us with their side
lights. A critic in "The Edinburgh Review" for January, 1861, thinks that
"Mr. Motley has not always been successful in keeping the graphic variety
of his details subordinate to the main theme of his work." Still, he
excuses the fault, as he accounts it, in consideration of the new light
thrown on various obscure points of history, and--

"it is atoned for by striking merits, by many narratives of great
events faithfully, powerfully, and vividly executed, by the clearest
and most life-like conceptions of character, and by a style which,
if it sacrifices the severer principles of composition to a desire
to be striking and picturesque, is always vigorous, full of
animation, and glowing with the genuine enthusiasm of the writer.
Mr. Motley combines as an historian two qualifications seldom found
united,--to great capacity for historical research he adds much
power of pictorial representation. In his pages we find characters
and scenes minutely set forth in elaborate and characteristic
detail, which is relieved and heightened in effect by the artistic
breadth of light and shade thrown across the broader prospects of
history. In an American author, too, we must commend the hearty
English spirit in which the book is written; and fertile as the
present age has been in historical works of the highest merit, none
of them can be ranked above these volumes in the grand qualities of
interest, accuracy, and truth."

A writer in "Blackwood" (May, 1861) contrasts Motley with Froude somewhat
in the way in which another critic had contrasted him with Prescott.
Froude, he says, remembers that there are some golden threads in the
black robe of th