ought my linen would get on fire.
But thank heaven, at that moment the landlord came into the room light
in hand, and leaping from the bed I ran up to him.

"Don't be afraid now," said he, grinning again, "Queequeg here wouldn't
harm a hair of your head."

"Stop your grinning," shouted I, "and why didn't you tell me that that
infernal harpooneer was a cannibal?"

"I thought ye know'd it;--didn't I tell ye, he was a peddlin' heads
around town?--but turn flukes again and go to sleep. Queequeg, look
here--you sabbee me, I sabbee--you this man sleepe you--you sabbee?"

"Me sabbee plenty"--grunted Queequeg, puffing away at his pipe and
sitting up in bed.

"You gettee in," he added, motioning to me with his tomahawk, and
throwing the clothes to one side. He really did this in not only a civil
but a really kind and charitable way. I stood looking at him a moment.
For all his tattooings he was on the whole a clean, comely looking
cannibal. What's all this fuss I have been making about, thought I to
myself--the man's a human being just as I am: he has just as much reason
to fear me, as I have to be afraid of him. Better sleep with a sober
cannibal than a drunken Christian.

"Landlord," said I, "tell him to stash his tomahawk there, or pipe, or
whatever you call it; tell him to stop smoking, in short, and I will
turn in with him. But I don't fancy having a man smoking in bed with me.
It's dangerous. Besides, I ain't insured."

This being told to Queequeg, he at once complied, and again politely
motioned me to get into bed--rolling over to one side as much as to
say--"I won't touch a leg of ye."

"Good night, landlord," said I, "you may go."

I turned in, and never slept better in my life.

CHAPTER 4. The Counterpane.

Upon waking next morning about daylight, I found Queequeg's arm thrown
over me in the most loving and affectionate manner. You had almost
thought I had been his wife. The counterpane was of patchwork, full of
odd little parti-coloured squares and triangles; and this arm of his
tattooed all over with an interminable Cretan labyrinth of a figure,
no two parts of which were of one precise shade--owing I suppose to
his keeping his arm at sea unmethodically in sun and shade, his shirt
sleeves irregularly rolled up at various times--this same arm of his, I
say, looked for all the world like a strip of that same patchwork quilt.
Indeed, partly lying on it as the arm did when I first awoke, I could
hardl