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r, the child represented something issued from wondrous melodies, a swan's song uplifted to the heavens and bearing with it the plaint of a lost happiness. "Oh! Frieda, some--something else," she cried. "I--I--Just play some Chopin." At once Frieda complied. Where on earth does the woman find the ability to play as she does? She tells me that she hardly ever practises, and, in my many visits to her, I have never chanced to find her at the piano, though she possesses a very fair instrument. But I think I understand; what I mistake for technique must chiefly be her wonderful sentiment and the appreciation of beauty that overshadows some faults of execution. Frieda's real dwelling place is in a heaven of her own making, that is all beauty and color and harmony. From there come her painting and her music, which evidently enter her being and flow out at the finger-tips. I have always thought that if her color-tubes had not possessed such an overwhelming attraction for her, she might have become one of the most wonderful musicians of the world. Gradually, Frances raised her head again, until it finally rested on the back of the armchair, with the eyes half-closed under the spell of Frieda's playing. By this time she had perhaps forgotten the memories evoked by the "Songs Without Words," that had for a moment brought back to her the masterful bow that had made her heart vibrate, for the first time, with the tremulousness of a love being born. Chopin did not affect her in the same way, and she was calm again. Frieda came to the end of the "_Valse Brillante_" and took up the "_Berceuse_." Then the young mother closed her eyes altogether. The melody brought rest to her, and sweetness with a blessed peace of soul. When I looked at Gordon, he was still staring, and by this time I thought I knew the reason of his visits. Beyond a peradventure Frances was the lodestone that attracted him. Did her wonderful features suggest to him a new and greater picture? Was he ruminating over the plan of some masterpiece and seeking inspiration from her? It seemed probable indeed. When the idea comes to me for a novel, I am apt to moon about, searching the recesses of my mind, digging in the depths of my experience, staring into a vacancy peopled only by faint shadows that begin to gather form and strength and, finally, I hope, some attributes of humanity. At such times I often fail to recognize friends on the street or, even, I may atte
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