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ng into doubt the foundations of Revealed as well as of Natural Theology. It was a bold thing to do, for since he was come to Berlin, and had read more of his books, he had gathered that Mendelssohn still professed Orthodox Judaism. A paradox this to Maimon, and roundly denied as impossible when he first heard of it. A man who could enter the lists with the doughtiest champions of Christendom, whose German prose was classical, who could philosophize in Socratic dialogue after the fashion of Plato--such a man a creature of the Ghetto! Doubtless he took his Judaism in some vague Platonic way; it was impossible to imagine him the literal bond-slave of that minute ritual, winding phylacteries round his left arm or shaking himself in a praying-shawl. Anyhow here--in logical lucid Hebrew--were Maimon's doubts and difficulties. If Mendelssohn was sincere, let him resolve them, and earn the blessings of a truly Jewish soul. If he was unable to answer them, let him give up his orthodoxy, or be proved a fraud and a time-server. _Amicus Mendelssohn sed magis amica veritas._ In truth there was something irritating to the Polish Jew in the great German's attitude, as if it held some latent reproach of his own. Only a shallow thinker, he felt, could combine culture and spiritual comfort, to say nothing of worldly success. He had read the much-vaunted _Phoedon_ which Lutheran Germany hailed as a counterblast to the notorious "Berlin religion," restoring faith to a despondent world mocked out of its Christian hopes by the fashionable French wits and materialists under the baneful inspiration of Voltaire, whom Germany's own Frederick had set on high in his Court. But what a curious assumption for a Jewish thinker to accept, that unless we are immortal, our acts in this world are of no consequence! Was not he, Maimon, leading a high-minded life in pursuit of Truth, with no such hope? "If our soul were mortal, then Reason would be a dream, which Jupiter has sent us in order that we might forget our misery; and we should be like the beasts, only to seek food and die." Nonsense! Rhetoric! True, his epistles to Lavater were effective enough, there was courage in his public refusal of Christianity, nobility in his sentiment that he preferred to shame anti-Jewish prejudice by character rather than by controversy. He, Maimon, would prefer to shame it by both. But this _Jerusalem_ of Mendelssohn's! Could its thesis really be sustained? Judaism
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