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The Project Gutenberg EBook of The Land of The Blessed Virgin; Sketches and Impressions in Andalusia, by William Somerset Maugham This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: The Land of The Blessed Virgin; Sketches and Impressions in Andalusia Author: William Somerset Maugham Release Date: November 13, 2008 [EBook #27252] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK IMPRESSIONS IN ANDALUSIA *** Produced by Chuck Greif and the Online Distributed Proofreading Team at http://www.pgdp.net THE LAND OF THE BLESSED VIRGIN SKETCHES AND IMPRESSIONS IN ANDALUSIA BY WILLIAM SOMERSET MAUGHAM (WITH FRONTISPIECE) LONDON WILLIAM HEINEMANN MCMV _All rights reserved_ [Illustration] TO VIOLET HUNT Contents I. The Spirit of Andalusia II. The Churches of Ronda III. Ronda IV. The Swineherd V. Medinat Az-Zahra VI. The Mosque VII. The Court of Oranges VIII. Cordova IX. The Bridge of Calahorra X. Puerta del Puente XI. Seville XII. The Alcazar XIII. Calle de las Sierpes XIV. Characteristics XV. Don Juan Tenorio XVI. Women of Andalusia XVII. The Dance XVIII. A Feast Day XIX. The Giralda XX. The Cathedral of Seville XXI. The Hospital of Charity XXII. Gaol XXIII. Before the Bull-Fight XXIV. Corrida de Toros--I. XXV. Corrida de Toros--II XXVI. On Horseback XXVII. By the Road--I. XXVIII. By the Road--II. XXIX. Ecija XXX. Wind and Storm XXXI. Two Villages XXXII. Granada XXXIII. The Alhambra XXXIV. Boabdil the Unlucky XXXV. Los Pobres XXXVI. The Song XXXVII. Jerez XXXVIII. Cadiz XXXIX. El Genero Chico XL. Adios I [Sidenote: The Spirit of Andalusia] After one has left a country it is interesting to collect together the emotions it has given in an effort to define its particular character. And with Andalusia the attempt is especially fascinating, for it is a land of contrasts in which work upon one another, diversely, a hundred influences. In London now, as I write, the rain of an English April pours down; the sky is leaden and cold, the houses in front of me are almost terrible in their monotonou
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