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Mr. John Hollingshead--"Practical John"--was dramatic critic of the "Daily News." His notices attracted the attention of Shirley Brooks, with the result that he was invited to contribute to _Punch_. But it was in 1881 that he was taken on the salaried outside Staff, writing for the paper for several years, chiefly on the subject of social reform. He is the inventor, to whom Londoners should be grateful, of "Mud-Salad Market" and the "Duke of Mudford;" and the "Gates of Gloomsbury," "The Seldom-at-Home Secretary," and "The Top of the Gaymarket," are also his. It was with his pen that _Punch_ attacked so lustily our licensing system--or want of system; and from him, too, came the burlesque "Schopenhauer Ballads," and other contributions, which, many of them, have been reprinted in "Footlights," "Plain English," and "Niagara Spray." In the same year came Mr. R. F. Sketchley, late Librarian of the Dyce and Forster collection in the South Kensington Museum, who was destined to become one of _Punch's_ Staff officers. "I find," he writes, "that I became a contributor to _Punch_ in 1864. At the beginning of 1868 I was honoured with an invitation from Mark Lemon to join the Table. I served also under his successors--Shirley Brooks, Tom Taylor, and Burnand; and finally retired of my own accord in 1880. I have seen it stated that in an illness of Shirley Brooks I did some of the 'Essence of Parliament.' If I had been called on to take up the pen of that most brilliant man of letters, I should have been in despair. All I did was to turn the Queen's Speech on the opening of Parliament into verse. [Illustration: R. F. SKETCHLEY. (_From a Photograph by Hills and Saunders, Oxford._)] "I was never a prominent member of the Staff, but I am, and always shall be, proud of having been connected with _Punch_. I wrote both prose and verse--more of the former than the latter--and my contributions ranged in extent from a column down to a single line. My subjects were generally 'topical,' sometimes 'imaginary,' and the verse included a good many parodies." Mr. Sketchley, it should be observed, is one of the few members of the inside Staff--at least, within the last forty years--who have ever resigned their appointments, Richard Doyle, Mr. Henry Silver, and Mr. Harry Furniss being the others. His strong point was prose parody, the best, perhaps, being the quaint quasi-Gulliverian sketch called "A Fortnight in Sparsandria," which he contribut
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