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Sing a song of threepence, A paper full of trash; Four-and-twenty "funny men" Have made a pretty hash; For when the paper's opened, One soon begins to sing-- "Oh! threepence is a dainty price To pay for such a thing." And he returns to the charge later on in a set of verses in which he pretends to pay tribute to _Punch's_ bygone force--"honest if delicate"--and to Judy's and Toby's straightforward roughness. After making charges of corruption, he proceeds: "Alas! how times and manners pass! When no one fears a panic-- When Scotland tolerates the Mass-- And Spain is puritanic; When Yankee 'anacondas' scrunch The South's heroic leader-- Then may we find a pleasant _Punch_, And _Punch_ a happy reader." Nowadays the commoner form of humorous attack upon _Punch_ is the assumption that it is a serious journal: a cold-blooded analysis of its contents will be made, or the quotation of its best bits under the ungrateful title of "Alleged Humour from _Punch_;" or a joke will be printed and savagely "quoted" as "From _next week's_ PUNCH." When the three "New Humorists," Messrs. Barry Pain, Jerome, and Zangwill, were driven to despair (so says one of them) by the sneers of the Press, they met in solemn conclave and swore never to make another joke. So Mr. Zangwill set to work at a serious novel. Mr. Jerome took to editing a weekly paper, and Mr. Pain _began writing for Punch_! Even when Mr. Pincott, for thirty years the "reader" on the paper, committed suicide the day after his wife was buried, a number of papers could not resist the temptation that was offered. "Fancy having to read through all _Punch's_ jokes week after week for years!" exclaimed one. "No wonder we are a hardy race. No wonder the poor man shot himself." Mr. Pincott was a man of great ability, of remarkable erudition, and extreme conscientiousness. Although his bereavement was preying on his mind, he saw the paper out, and did not commit the fatal act until he had sent his usual letter to the Editor, wherewith he would relieve himself of his week's responsibility. "I never met a man with so much information and of so varied a character," writes one of his fellow-workers. "He never passed a quotation without verifying it, and could give you chapter and verse for everything. He knew his Shakespeare by heart, and all the modern poets, and he was never at fault in his classics." He was not, however, allowed
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