uting, moist with desires; eyes greedy, protuberant, and yet apt for
weeping too; a nose great alike in character and dimensions; and
altogether a most fleshly, melting countenance. The face is attractive
by its promise of reciprocity. I have used the word _greedy_, but the
reader must not suppose that he can change it for that closely kindred
one of _hungry_; for there is here no aspiration, no waiting for better
things, but an animal joy in all that comes. It could never be the face
of an artist; it is the face of a _viveur_--kindly, pleased and pleasing,
protected from excess and upheld in contentment by the shifting
versatility of his desires. For a single desire is more rightly to be
called a lust; but there is health in a variety, where one may balance
and control another.
The whole world, town or country, was to Pepys a garden of Armida.
Wherever he went, his steps were winged with the most eager expectation;
whatever he did, it was done with the most lively pleasure. An
insatiable curiosity in all the shows of the world and all the secrets of
knowledge, filled him brimful of the longing to travel, and supported him
in the toils of study. Rome was the dream of his life; he was never
happier than when he read or talked of the Eternal City. When he was in
Holland, he was "with child" to see any strange thing. Meeting some
friends and singing with them in a palace near The Hague, his pen fails
him to express his passion of delight, "the more so because in a heaven
of pleasure and in a strange country." He must go to see all famous
executions. He must needs visit the body of a murdered man, defaced
"with a broad wound," he says, "that makes my hand now shake to write of
it." He learned to dance, and was "like to make a dancer." He learned
to sing, and walked about Gray's Inn Fields "humming to myself (which is
now my constant practice) the trillo." He learned to play the lute, the
flute, the flageolet, and the theorbo, and it was not the fault of his
intention if he did not learn the harpsichord or the spinet. He learned
to compose songs, and burned to give forth "a scheme and theory of music
not yet ever made in the world." When he heard "a fellow whistle like a
bird exceeding well," he promised to return another day and give an angel
for a lesson in the art. Once, he writes, "I took the Bezan back with
me, and with a brave gale and tide reached up that night to the Hope,
taking great pleasure in lea
|