Opinion of his own Attainment of Happiness, 84
Fuseli's Private Habits, 84
Fuseli's Wife's method of Curing his fits of Despondency, 85
Fuseli's Personal Appearance, his Sarcastic Disposition,
and Quick Temper, 86
Fuseli's near Sight, 87
Fuseli's Popularity, 88
Fuseli's Artistic Merits, 88
Fuseli's Milton Gallery, the Character of his Works,
and the Permanency of his Fame, 89
Salvator Rosa, 91
Salvator Rosa and Cav. Lanfranco, 91
Salvator Rosa at Rome and Florence, 92
Salvator Rosa's Return to Rome, 93
Salvator Rosa's Subjects, 93
Flagellation of Salvator Rosa, 95
Salvator Rosa and the Higgling Prince, 96
Salvator Rosa's Opinion of his own Works, 98
Salvator Rosa's Banditti, 98
Salvator Rosa and Massaniello, 100
Salvator Rosa and Cardinal Sforza, 100
Salvator Rosa's Manifesto Concerning his Satirical
Picture, La Fortuna, 101
Salvator Rosa's Banishment from Rome, 102
Salvator Rosa's Wit, 103
Salvator Rosa's Reception at Florence, 103
Histrionic Powers of Salvator Rosa, 104
Salvator Rosa's Reception at the Palazzo Pitti, 105
Satires of Salvator Rosa, 105
Salvator Rosa's Harpsichord, 106
Rare Portrait by Salvator Rosa, 106
Salvator Rosa's Return to Rome, 109
Salvator Rosa's Love of Magnificence, 109
Salvator Rosa's Last Works, 111
Salvator Rosa's Desire to be Considered an Historical Painter, 112
Don