these figures, the idols of a religion long since dead and buried
like themselves, seemed in the twilight to be actually raising
their desecrated heads from the sleep of centuries; certainly the
feeling of awe which they inspired me with, must have been
something akin to that experienced by their heathen votaries of
old.'--_Layard's Nineveh and its Remains_, vol. I. p. 298.
"The interior of the Assyrian palace must have been as magnificent as
imposing. I have led the reader through its ruins, and he may judge of
the impression its halls were calculated to make upon the stranger who,
in the days of old, entered for the first time into the abode of the
Assyrian Kings. He was ushered in through the portal guarded by the
colossal lions or bulls of white alabaster. In the first hall he found
himself surrounded by the sculptured records of the empire. Battles,
sieges, triumphs, the exploits of the chase, the ceremonies of religion,
were portrayed on the walls, sculptured in alabaster, and painted in
gorgeous colors. Under each picture were engraved, in characters filled
up with bright copper, inscriptions describing the scenes represented.
Above the sculptures were painted other events--the king attended by his
eunuchs and warriors, receiving his prisoners, entering into alliances
with other monarchs, or performing some sacred duty. These
representations were enclosed in colored borders, of elaborate and
elegant design. The emblematic tree, winged bulls, and monstrous
animals were conspicuous among the ornaments.
"At the upper end of the hall was the colossal figure of the king in
adoration before the supreme deity, or receiving from his eunuch the
holy cup. He was attended by warriors bearing his arms, and by the
priests or presiding divinities. His robes, and those of his followers,
were adorned with groups of figures, animals, and flowers, all painted
with brilliant colors. The stranger trod upon the alabaster slabs, each
bearing an inscription, recording the titles, genealogy, and
achievements of the great King.--Several door-ways, formed by gigantic
winged lions or bulls, or by the figures of guardian deities, led into
other apartments, which again opened into more distant halls. In each
were new sculptures. On the walls of some were processions of colossal
figures--armed men and eunuchs following the king, warriors laden with
spoil, leading prisoners, or bearing presents and offerings to th
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