They hurried past the desk; but the young man with the clear pink skin
reached over the heads of an intervening group, waving a long printed
booklet toward the pair.
"Circular, missy?"
Sara Juke straightened, with every nerve in her body twanging like a
plucked violin string; and her eyes met the clear eyes of the young
clerk.
Like a doll automaton she accepted the booklet from him; like a doll
automaton she followed Charley Chubb out into the street, and her limbs
were trembling so she could scarcely stand.
"Gotta hand it to you, Sweetness. Even made a hit on the fellow in the
lung shop! He didn't hand me out no literachure. Some little hit!"
"I gotta go home now, Charley."
"It's only ten."
"I better go, Charley. It ain't Saturday night."
At the stoop of her rooming house they lingered. A honey-colored moon
hung like a lantern over the block-long row of shabby-fronted houses. On
her steps and to her fermenting fancy the shadow of an ash can sprawled
like a prostrate human being.
"Charley!"
She clutched his arm.
"Whatcha scared about, Sweetness?"
"Oh, Charley, I--I feel creepy to-night."
"That visit to the Morgue was enough to give anybody the blind
staggers."
Her pamphlet was tight in her hand.
"You ain't mad at me, Charley?"
He stroked her arm, and the taste of tears found its way to her mouth.
"I'm feeling so sillylike to-night, Charley."
"You're all in, kiddo."
In the shadow he kissed her.
"Charley, you--you mustn't, unless we're--engaged." But she could not
find the strength to unfold herself from his arms. "You mustn't,
Charley!"
"Great little girl you are, Sweetness--one great little girl!"
"Aw, Charley!"
"And, to show you that I like you, I'm going to make up for this
to-morrow night. A real little Saturday-night blow! And don't forget
Sunday afternoon--two o'clock for us, down at Crissey's Hall. Two
o'clock."
"Two o'clock."
"Good!"
"Oh, Charley, I--"
"What, Sweetness?"
"Oh, nothing; I--I'm just silly to-night."
Her hand lay on his arm, white in the moonlight and light as a leaf; and
he kissed her again, scorching her lips.
"Good night, Sweetness."
"Good night, Charley."
Then up four flights of stairs, through musty halls and past closed
doors, their white china knobs showing through the darkness, and up to
the fourth-floor rear, and then on tiptoe into a long, narrow room, with
the moonlight flowing in.
Clothing lay about in gr
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