, are intermingled wild superstitions on several
occasions, will startle no reader of the smallest judgment. All ages,
our own not excepted, have their superstitions, and to suppose that a
story told in the eleventh century,--when phantoms, and ghosts, and
wraiths, were implicitly believed in, and when dreams, and warnings, and
tokens, were part of every man's creed--should be wanting in these marks
of genuineness, is simply to require that one great proof of its
truthfulness should be wanting, and that, in order to suit the spirit of
our age, it should lack something which was part and parcel of popular
belief in the age to which it belonged. To a thoughtful mind, therefore,
such stories as that of Swan's witchcraft, Gunnar's song in his cairn,
the Wolf's ride before the Burning, Flosi's dream, the signs and tokens
before Brian's battle, and even Njal's weird foresight, on which the
whole story hangs, will be regarded as proofs rather for than against
its genuineness.[3]

But it is an old saying, that a story never loses in telling, and so we
may expect it must have been with this story. For the facts which the
Saga-teller related he was bound to follow the narrations of those who
had gone before him, and if he swerved to or fro in this respect, public
opinion and notorious fame was there to check and contradict him.[4] But
the way in which he told the facts was his own, and thus it comes that
some Sagas are better told than others, as the feeling and power of the
narrator were above those of others. To tell a story truthfully was
what was looked for from all men in those days; but to tell it properly
and gracefully, and so to clothe the facts in fitting diction, was given
to few, and of those few the Saga teller who first threw Njala into its
present shape, was one of the first and foremost.

With the change of faith and conversion of the Icelanders to
Christianity, writing, and the materials for writing, first came into
the land, about the year 1000. There is no proof that the earlier or
Runic alphabet, which existed in heathen times, was ever used for any
other purposes than those of simple monumental inscriptions, or of short
legends on weapons or sacrificial vessels, or horns and drinking cups.
But with the Roman alphabet came not only a readier means of expressing
thought, but also a class of men who were wont thus to express
themselves.... Saga after Saga was reduced to writing, and before the
year 1200 it is r