vince.

XIX. Twice only he undertook any foreign expeditions, one to Alexandria,
and the other to Achaia; but he abandoned the prosecution of the former
on the very day fixed for his departure, by being deterred both by ill
omens, and the hazard of the voyage. For while he was making the circuit
of the temples, having seated himself in that of Vesta, when he attempted
to rise, the skirt of his robe stuck fast; and he was instantly seized
with such a dimness in his eyes, that he could not see a yard before him.
In Achaia, he attempted to make a cut through the Isthmus [580]; and,
having made a speech encouraging his pretorians to set about the work, on
a signal given by sound of trumpet, he first broke ground with a spade,
and carried off a basket full of earth upon his shoulders. He made
preparations for an expedition to the Pass of the Caspian mountains
[581]; forming a new legion out of his late levies in Italy, of men all
six feet high, which he called the phalanx of Alexander the Great. These
transactions, in part unexceptionable, and in part highly commendable, I
have brought into one view, in order to separate them from the scandalous
and criminal part of his conduct, of which I shall now give an account.

XX. Among the other liberal arts which he was taught in his youth, he
was instructed in music; and immediately after (350) his advancement to
the empire, he sent for Terpnus, a performer upon the harp [582], who
flourished at that time with the highest reputation. Sitting with him
for several days following, as he sang and played after supper, until
late at night, he began by degrees to practise upon the instrument
himself. Nor did he omit any of those expedients which artists in music
adopt, for the preservation and improvement of their voices. He would
lie upon his back with a sheet of lead upon his breast, clear his stomach
and bowels by vomits and clysters, and forbear the eating of fruits, or
food prejudicial to the voice. Encouraged by his proficiency, though his
voice was naturally neither loud nor clear, he was desirous of appearing
upon the stage, frequently repeating amongst his friends a Greek proverb
to this effect: "that no one had any regard for music which they never
heard." Accordingly, he made his first public appearance at Naples; and
although the theatre quivered with the sudden shock of an earthquake, he
did not desist, until he had finished the piece of music he had begun.
He playe