ce, from the fashion
of the times. He is more studious of minute embellishments in style than
the writers of the Augustan age; and the didactic strain, in which he
mostly prosecutes his subjects, has a tendency to render him sententious;
but the expression of his thoughts is neither enfeebled by decoration,
nor involved in obscurity by conciseness. He is not more rich in
artificial ornament than in moral admonition. Seneca has been charged
with depreciating former writers, to render himself more conspicuous; a
charge which, so far as appears from his writings, is founded rather in
negative than positive testimony. He has not endeavoured to establish
his fame by any affectation of singularity in doctrine; and while he
passes over in silence the names of illustrious authors, he avails
himself with judgment of the most valuable stores with which they had
enriched philosophy. On the whole, he is an author whose principles may
be adopted not only with safety, but great advantage; and his writings
merit a degree of consideration, superior to what they have hitherto ever
enjoyed in the literary world.

Seneca, besides his prose works, was the author of some tragedies. The
Medea, the Troas, and the Hippolytus, are ascribed to him. His father is
said to have written the Hercules Furens, Thyestes, Agamemnon, and
Hercules Oetaeus. The three remaining tragedies, the Thebais, Oedipus,
and Octavia, usually published in the same collection with the seven
preceding, are supposed to be the productions of other authors, but of
whom, is uncertain. These several pieces are written in a neat style;
the plots and characters are conducted with an attention to probability
and nature: but none of them is so forcible, in point of tragical
distress, as to excite in the reader any great degree of emotion.----

PETRONIUS was a Roman knight, and apparently of considerable fortune. In
his youth he seems to have given great application to polite literature,
in which he acquired a justness of taste, as well as an elegance of
composition. Early initiated in the gaieties (393) of fashionable life,
he contracted a habit of voluptuousness which rendered him an
accommodating companion to the dissipated and the luxurious. The court
of Claudius, entirely governed for some time by Messalina, was then the
residence of pleasure; and here Petronius failed not of making a
conspicuous appearance. More delicate, however, than sensual, he rather
joined