the study of
philosophy, as unsuited to one destined to be an emperor; and his
preceptor, Seneca, discouraged him from reading the ancient orators, that
he might longer secure his devotion to himself. Therefore, having a turn
for poetry, (380) he composed verses both with pleasure and ease; nor did
he, as some think, publish those of other writers as his own. Several
little pocket-books and loose sheets have cone into my possession, which
contain some well-known verses in his own hand, and written in such a
manner, that it was very evident, from the blotting and interlining, that
they had not been transcribed from a copy, nor dictated by another, but
were written by the composer of them.
LIII. He had likewise great taste for drawing and painting, as well as
for moulding statues in plaster. But, above all things, he most eagerly
coveted popularity, being the rival of every man who obtained the
applause of the people for any thing he did. It was the general belief,
that, after the crowns he won by his performances on the stage, he would
the next lustrum have taken his place among the wrestlers at the Olympic
games. For he was continually practising that art; nor did he witness
the gymnastic games in any part of Greece otherwise than sitting upon the
ground in the stadium, as the umpires do. And if a pair of wrestlers
happened to break the bounds, he would with his own hands drag them back
into the centre of the circle. Because he was thought to equal Apollo in
music, and the sun in chariot-driving, he resolved also to imitate the
achievements of Hercules. And they say that a lion was got ready for him
to kill, either with a club, or with a close hug, in view of the people
in the amphitheatre; which he was to perform naked.
LIV. Towards the end of his life, he publicly vowed, that if his power
in the state was securely re-established, he would, in the spectacles
which he intended to exhibit in honour of his success, include a
performance upon organs [635], as well as upon flutes and bagpipes, and,
on the last day of the games, would act in the play, and take the part of
Turnus, as we find it in Virgil. And there are some who say, that he put
to death the player Paris as a dangerous rival.
LV. He had an insatiable desire to immortalize his name, and acquire a
reputation which should last through all succeeding ages; but it was
capriciously directed. He therefore (381) took from several things and
places th
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