ry, with fact as a starting-point. In a
prefatory note to these volumes we have quoted Mark Twain's own lovely
and whimsical admission, made once when he realized his deviations:
"When I was younger I could remember anything, whether it happened or
not; but I am getting old, and soon I shall remember only the latter."
At another time he paraphrased one of Josh Billings's sayings in the
remark: "It isn't so astonishing, the number of things that I can
remember, as the number of things I can remember that aren't so."
I do not wish to say, by any means, that his so-called autobiography is a
mere fairy tale. It is far from that. It is amazingly truthful in the
character-picture it represents of the man himself. It is only not
reliable--and it is sometimes even unjust--as detailed history. Yet,
curiously enough, there were occasional chapters that were
photographically exact, and fitted precisely with the more positive, if
less picturesque, materials. It is also true that such chapters were
likely to be episodes intrinsically so perfect as to not require the
touch of art.
In the talks which we usually had, when the dictations were ended and
Miss Hobby had gone, I gathered much that was of still greater value.
Imagination was temporarily dispossessed, as it were, and, whether
expounding some theory or summarizing some event, he cared little for
literary effect, and only for the idea and the moment immediately
present.
It was at such times that he allowed me to make those inquiries we had
planned in the beginning, and which apparently had little place in the
dictations themselves. Sometimes I led him to speak of the genesis of
his various books, how he had come to write them, and I think there was
not a single case where later I did not find his memory of these matters
almost exactly in accord with the letters of the moment, written to
Howells or Twichell, or to some member of his family. Such reminiscence
was usually followed by some vigorous burst of human philosophy, often
too vigorous for print, too human, but as dazzling as a search-light in
its revelation.
It was during this earlier association that he propounded, one day, his
theory of circumstance, already set down, that inevitable sequence of
cause and effect, beginning with the first act of the primal atom. He
had been dictating that morning his story of the clairvoyant dream which
preceded his brother's death, and the talk of foreknowledge had
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