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rcumstances for the next hour." He left the other and strode down the corridor, keeping himself from too obvious, a quickened pace. At the entrance to the Ministry, he shot his glance up and down the street. He was in the clutch now, and knew it. He had few illusions. Not a cab in sight. He began to cross the road toward the park. In a matter of moments there, he'd be lost in the trees and shrubbery. He had rather vague plans. Actually, he was playing things as they came. There was a close friend in whose apartment he could hide, a man who owed him his life. He could disguise himself. Possibly buy or borrow a car. If he could get back to Prague, he was safe. Perhaps he and Catherina could defect to the West. Somebody was screaming something from a window in the Ministry. Ilya Simonov quickened his pace. He was nearly across the street now. He thought, foolishly, _Whoever that is shouting is so excited he sounds more like a woman than a man._ Another voice took up the shout. It was the plainclothes man. Feet began pounding. There were two more shouts. The guards. But he was across now. The shrubs were only a foot away. The shattering blackness hit him in the back of the head. It was over immediately. Afterwards, the plainclothes man and the two guards stood over him. Men began pouring from the Ministry in their direction. Colonel Ilya Simonov was a meaningless, bloody heap on the edge of the park's grass. The guard who had shot said, "He killed the Minister. He must have been crazy to think he could get away with it. What did he want?" "Well, we'll never know now," the plainclothesman grunted. THE END * * * * * End of the Project Gutenberg EBook of Freedom, by Dallas McCord Reynolds *** END OF THIS PROJECT GUTENBERG EBOOK FREEDOM *** ***** This file should be named 30338.txt or 30338.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/3/0/3/3/30338/ Produced by Sankar Viswanathan, Greg Weeks, and the Online Distributed Proofreading Team at http://www.pgdp.net Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copy
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