t of freedom in the coming decisive contest must
be songs. If we are to conquer, as I trust in God we are, a great deal
must be done by that genial and inspiring stimulant." Whittier
responded with several songs sung during the campaign for free Kansas,
but the following lines for some reason he desired should appear
without his name, either in the "National Era," in which they first
appeared, August 14, 1856, or with the music to which they were set. A
recently discovered letter, written by him to a friend in Philadelphia
who was intrusted to set the song to music, avows its authorship, and
also credits to his sister Elizabeth another song, "Fremont's Ride,"
published in the same number of the "Era." As the brother probably had
some hand in the composition of this last-mentioned piece, it is given
here. This is Whittier's song:--
WE 'RE FREE
The robber o'er the prairie stalks
And calls the land his own,
And he who talks as Slavery talks
Is free to talk alone.
But tell the knaves we are not slaves,
And tell them slaves we ne'er will be;
Come weal or woe, the world shall know.
We 're free, we 're free, we 're free.
Oh, watcher on the outer wall,
How wears the night away?
I hear the birds of morning call,
I see the break of day!
Rise, tell the knaves, etc.
The hands that hold the sword and purse
Ere long shall lose their prey;
And they who blindly wrought the curse,
The curse shall sweep away!
Then tell the knaves, etc.
The land again in peace shall rest,
With blood no longer stained;
The virgin beauty of the West
Shall be no more profaned.
We 'll teach the knaves, etc.
The snake about her cradle twined,
Shall infant Kansas tear;
And freely on the Western wind
Shall float her golden hair!
So tell the knaves, etc.
Then let the idlers stand apart,
And cowards shun the fight;
We'll band together, heart to heart,
Forget, forgive, unite!
And tell the knaves we are not slaves,
And tell them slaves we ne'er will be;
Come weal or woe, the world shall know
We 're free, we 're free, we 're free!
It was Whittier's habit to freely suggest lines and even whole stanzas
for poems submitted to him for criticism, and it may be readily
beli
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