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Project Gutenberg's A Day with Felix Mendelssohn Bartholdy, by George Sampson This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: A Day with Felix Mendelssohn Bartholdy Author: George Sampson Release Date: July 9, 2009 [EBook #29361] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK A DAY WITH FELIX MENDELSSOHN *** Produced by Delphine Lettau and the Online Distributed Proofreading Team at http://www.pgdp.net [Illustration] [Illustration: _Painting by N. M. Price._ FIRST WALPURGIS NIGHT. "Through the night-gloom lead and follow In and out each rocky hollow."] A DAY WITH FELIX MENDELSSOHN BARTHOLDY BY GEORGE SAMPSON HODDER & STOUGHTON _In the same Series._ _Beethoven._ _Schubert._ A DAY WITH MENDELSSOHN. During the year 1840 I visited Leipzig with letters of introduction from Herr Klingemann of the Hanoverian Legation in London. I was a singer, young, enthusiastic, and eager--as some singers unfortunately are not--to be a musician as well. Klingemann had many friends among the famous German composers, because of his personal charm, and because his simple verses had provided them with excellent material for the sweet little songs the Germans love so well. I need scarcely say that the man I most desired to meet in Leipzig was Mendelssohn; and so, armed with Klingemann's letter, I eagerly went to his residence--a quiet, well-appointed house near the Promenade. I was admitted without delay, and shown into the composer's room. It was plainly a musician's work-room, yet it had a note of elegance that surprised me. Musicians are not a tidy race; but here there was none of the admired disorder that one instinctively associates with an artist's sanctum. There was no litter. The well-used pianoforte could be approached without circuitous negotiation of a rampart of books and papers, and the chairs were free from encumbrances. On a table stood some large sketch-books, one open at a page containing an excellent landscape drawing; and other spirited sketches hung framed upon the walls. The abundant music paper was perhaps the most strangely tidy feature of the room, for the exquisitely neat nota
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