FREE BOOKS

Author's List




PREV.   NEXT  
|<   31   32   33   34   35   36   37   38   39   40   41   42   43   44   45   46   47   48   49   50   51   52   53   54   55  
56   57   58   59   60   61   62   63   64   65   66   67   68   69   70   71   72   73   74   75   76   77   78   79   80   >>   >|  
s., morbo implicatum ex dolore ac taedio amissarum sarcinarum quas in nave praemiserat, ac simul fabularum quas novas fecerat.' Terence's personal appearance is mentioned by Sueton. p. 33, who also states that he had property, and left a daughter who afterwards married a Roman knight. 'Fuisse dicitur mediocri statura, gracili corpore, colore fusco. Reliquit filiam, quae post equiti Romano nupsit: item hortulos xx. iugerum via Appia ad Martis.' (2) WORKS. 1. _Andria_.--The particulars of its production are given above. Of its success, Donatus in his commentary says, 'Successu adspecta prospero hortamento poetae fuit ad alias conscribendas.' The didascalia to the _Andria_ is lost, but we can restore it as follows from Donatus' information, 'Incipit Andria Terenti. Acta ludis Megalensib. M. Fulvio M' Glabrione aedil. curul. Egit L. Ambivius Turpio.[19] Modos fecit Flaccus Claudi. Tibis paribus tota. Graeca Menandru. Facta i. M. Marcello C. Sulpicio cos.' The meaning of the didascalia is as follows: The piece was produced at the Megalesian games (held at the beginning of April) under the curule aediles mentioned; L. Ambivius Turpio undertook the representation; the music was composed (as in all Terence's comedies) by Flaccus, slave of Claudius, and given throughout _tibiis paribus_.[20] The Greek original was by Menander; it was the first work of Terence, and the year of production was B.C. 166. The play is adapted from Menander's +Andria+ with additions from his +Perinthia+. _Andr._ prol. 13, 'Quae convenere in Andriam ex Perinthia fatetur transtulisse atque usum pro suis.' The prologue dates from the first performance, though Wagner and Ribbeck have inferred from l. 5, 'Nam in prologis scribundis operam abutitur,' that it was written for a second representation, possibly in B.C. 164. There are two endings to the play; the shorter one is genuine, the longer spurious, and omitted in the best MSS. 2. _Heauton Timorumenos_ is from Menander's +Heauton timoroumenos+, 'self tormentor.' The title is referred to in l. 146, 'hic me exerceo,' l. 81, 'An quoiquamst usus homini, se ut cruciet?' and prol. 5, 'Ex integra Graeca integram comoediam hodie sum acturus Heauton timorumenon.' The play was produced at the Ludi Megalenses in B.C. 163, as is seen from the didascalia, 'Incipit Heauton Timorumenos Terenti. Acta ludis Megalensib. L. Cornelio Lentulo L. Valerio Flacco aedilib. cur
PREV.   NEXT  
|<   31   32   33   34   35   36   37   38   39   40   41   42   43   44   45   46   47   48   49   50   51   52   53   54   55  
56   57   58   59   60   61   62   63   64   65   66   67   68   69   70   71   72   73   74   75   76   77   78   79   80   >>   >|  



Top keywords:
Andria
 
Heauton
 

didascalia

 

Menander

 

Terence

 

production

 

Donatus

 

Ambivius

 

representation

 
produced

Perinthia
 

Timorumenos

 

Graeca

 

Flaccus

 

Terenti

 
Incipit
 

Megalensib

 

Turpio

 
paribus
 

mentioned


Ribbeck

 

Wagner

 

prologue

 

performance

 
dolore
 

operam

 

abutitur

 

written

 

scribundis

 

prologis


inferred
 
fatetur
 
sarcinarum
 

original

 

Claudius

 
tibiis
 

amissarum

 

convenere

 

Andriam

 
adapted

additions

 
taedio
 

transtulisse

 

possibly

 

integra

 
integram
 
comoediam
 
cruciet
 

quoiquamst

 
homini